A Quote by John Constable
The landscape painter must walk in the fields with a humble mind. No arrogant man was ever permitted to see Nature in all her beauty.
Related Quotes
The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter.
Try to walk as much as you can, and keep your love for nature, for that is the true way to learn to understand art more and more. Painters understand nature and love her and teach us to see her. If one really loves nature, one can find beauty everywhere.
The German landscape is something unique that we cannot disturb and have no right to destroy. The more densely populated our 'living space' becomes with settlements, the greater our hunger will grow for unspoilt nature. The ever increasing spiritual damage caused by life within the big city will make this hunger practically uncontrollable... when we build here on this the landscape of our homeland we must be clear that we will protect its beauty; and in places where this beauty has already disappeared, we will reconstruct it.
Were a man to spend only one day in Sicily and ask, "What must one see?" I would answer him without hesitation, "Taormina." It is only a landscape, but a landscape where you find everything on earth that seems made to seduce the eyes, the mind and the imagination.
No words will ever describe the exquisite beauty and charm of this mountain park – Nature’s landscape garden at once tenderly beautiful and sublime. No wonder it draws nature-lovers from all over the world.
We must not only protect the country side and save it from destruction, we must restore what has been destroyed and salvage the beauty and charm of our cities ... Once our natural splendor is destroyed, it can never be recaptured. And once man can no longer walk with beauty or wonder at nature, his spirit will wither and his sustenance be wasted.
Wisdom requires no form; her beauty must vary, as varies the beauty of flame. She is no motionless goddess, for ever couched on her throne.
If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
Even when I see a beautiful woman, I think, 'Aw, her life must be amazing.' Everyone does it. That's human nature to believe that beauty is everything.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
At the same time that she [nature] solicits him [man] to follow her not only into her open walks, but likewise to explore her secret recesses, she - fails not to reward him with the purest gratifications of the mind, because at every step he takes, new instances of beauty, variety, and perfection are unfolded to his view.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
If all flowers wanted to be roses, nature would lose her springtime beauty and the fields would no longer be decked out with little wildflowers.
Rugged strength and radiant beauty--
These were one in Nature's plan;
Humble toil and heavenward duty--
These will form the perfect man.
Though nature is constantly beautiful, she does not exhibit her highest powers of beauty constantly, for then they would satiate us and pall upon our senses. It is necessary to their appreciation that they should be rarely shown. Her finest touches are things which must be watched for; her most perfect passages of beauty are the most evanescent.
Here is this vast, savage, howling mother of ours,
Nature, lying all around, with such beauty, and such affection for her children,
as the leopard; and yet we are so early weaned
from her breast to society, to that culture which is exclusively
an interaction of man on man.
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