A Quote by John Cooper Clarke

The one thing I got right was that I already looked like a punk when punk arrived. — © John Cooper Clarke
The one thing I got right was that I already looked like a punk when punk arrived.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
Stray thought for the day: Putting boundaries on how punk should sound/look is the least punk rock thing one can do. Be yourself=Very punk.
I listened a little to punk when I was younger, but it was straight edge punk. It was nothing like what is going on now, like poppy punk.
Punk rock was the first thing I found in my life that made me feel acceptable. The thing that got me into punk rock was the idea, "You're fine just the way you are." It sounds kind of dorky, but you don't have to make excuses for who you are or what you do. When you find something like punk rock, not only is it okay to feel that way - you should embrace your weirdness. The world is totally messed up, and punk rock was a way to see that and work with it without candy-coating it. It was saying, "Yeah, the world is this way, but you can still do something about it. Take energy from that."
I was a punk when I was 15 - I was definitely into it in a big way and loved it - but I came to London when punk was maybe where you'd say punk is dead.
Look at me... look at me... I need the attention, oooh I'm punk rock I got some tattoos, I got some piercings. If I'm gonna get some piercings then I want everyone to see it...I don't need to advertise my punkness. A real punk doesn't need to show off...Its like a Karate man... the Karate man bleed on the inside. A real punk is punk on the inside.
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
Punk was key to the early part of me playing guitar. I was really into melodic punk-rock. I related to punk more than Lynyrd Skynyrd or Yes or Van Halen.
The fans never gave up on CM Punk. If CM Punk wants to be part of 'All In,' he can be part of 'All In.' But I am not putting it on him to draw those 10,000 seats. If we did have CM Punk, we would not tell you we had CM Punk - unless we didn't sell any tickets.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
I started buying vinyl records when I got into punk music because, in the punk scene in New Jersey, vinyl was more like a necessity than a luxury.
When I was a kid, I was obsessed with heavy metal, Van Halen, Motley Crue. The older I got, my tastes widened. I always felt an attraction to the attitudes of punk; also punk filmmakers, like Richard Kern.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
The thing about punk is that there are purists. Once you start going outside of that, they don't think what you're doing is punk rock.
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