A Quote by John Cooper Clarke
Find a poet whose style you like, emulate that style, then deal with things that you know about - don't waste your time looking for your own style.' I wish I could remember who told me that, because I'd like to congraulate him. I've emulated all the old guys - Tennyson, Alexander Pope.
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Everyone has their style and your style explains a lot about who you are - you feel me? I've had style since childhood, so I like to dress how I feel. But maybe I get carried away by some trends.
I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.
One of the biggest things about being an entrepreneur is discovering your own management style. You can learn from others and try to emulate what they are doing, but at the end of the day, your inherent personality - how you deal with events and situations - comes to the forefront.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
A cultivated style would be like a mask. Everybody knows it's a mask, and sooner or later you must show yourself -- or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind. You do not create a style. You work, and develop yourself; your style is an emanation from your own being.
Think about what you like and then think about why - was it the shape? The hem length? And then repeat over and over until you find your signature style. And if you ever get sick of your signature style... change it! That's the beauty of fashion.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
I don't have a specific style. My style is unorthodox; that is my style. So you can't really place me here, place me there, because my style is just to be anywhere, you know what I'm saying?
Remember, this is back in the 1940s, and it was sculpture which probably - in my instance probably came out of the European influence, [Alexander] Archipenko and things of that sort, [Jacques] Lipchitz to a certain extent, and I was influenced by those things and attempted to do work that emulated their style.
I like speed, I like passion, I like this style of football. Bayern Munich, for example, are very successful and play another style. I respect their style and it is another idea about football that is very successful but, if I had to choose what style I like most of all, it is the style we play.
Magazines don't have enough confidence to have their own style, so they use a borrowed style. That is shocking to me, but your perception is very accurate. It's a way to be more commercially viable, but to me, that's not having a style, that's having a schtick.
For me, style is essentially doing things well. If you want to be outrageous, be outrageous with style. If you want to be restrained, be restrained with style. One can't specifically define style. It's like the perfume to a flower. It's a quality you can't analyze.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
What influenced my style was the feeling that I was a lousy artist... I was like the ugly duckling, not knowing what I was, style-wise, and thinking I was all on my own... I evolved into a style that couldn't be compared to anyone else.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
You have to find your own style, and it's difficult to define what style is. It's not what you're wearing; it's how you wear it. It's something very personal, and it reflects the way you live and your house, the books you read, the art you have.
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