A Quote by John Cooper Clarke
My trouser needs are simple: a narrow leg in a dark colour, with jean detailing.
Related Quotes
People on the heavier side can go for a wide-legged trouser with a double brisket jacket, while women with a slim figure must go for a slim leg trouser with a single button jacket.
To look long and lean, wear a wide-leg trouser with high heels.
Every man's closet should be dark pair of blue jeans, a black jean, and a mid wash jean.
When a man crosses his legs and the trouser leg rides up to show the hairy shins, it offends my eyes.
There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad.
Teach her story to future generations, and at least the moral debt owed to Jean McConville can be repaid. Jean McConville. Jean McConville. Jean McConville.
The jean! The jean is the destructor. It is a dictator! It is destroying creativity! The jean must be stopped!
I have a very basic leg. But it has a silicon cover on it. I have a flat foot leg, a high heel leg and then I have a leg which, in the winter, I have to ski in and in the summer I swap it into my roller blades.
Colour disturbs people. I am confident in black, not in light. This dark side of life is attractive to me forever and from the beginning. I am a lazy designer when it comes to colour.
I can find every jacket under the sun that I like. But I cannot find trousers cut the way I want them. They're all really tight at the bottom. Nobody does a boot cut on a trouser leg. It drives me crazy.
Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.
I can debate for weeks whether a trouser should sit on the waist, or a centimetre below, or on the hip, whether it should have a zip or a button, because I find personally that a detail like that can have a massive impact on how I carry myself that day. If I wear a slouchy jean, that will affect my posture and my whole manner.
The personal needs a base, a body to identify oneself with, just as a colour needs a surface to appear on.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
Belts with potbellies are pretty bad. I mean, what about an oversized shirt and a trouser? What about an oversized button-up shirt in linen and a trouser? Do us all a favor.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
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