A Quote by John Corabi

I'm a songwriter, and I'm more than just a screamer. — © John Corabi
I'm a songwriter, and I'm more than just a screamer.
I'm a songwriter, actually. And when I say I'm a songwriter, I'm saying I can write songs for more than just myself.
And next to Allie, the screamer, once more reminded of his job, began to wail in Allie's ear. Reflexively Allie clapped her hand over his mouth. "That," she said, "is totally uncalled for. Don't do that again. Ever." The screamer looked at her with worried eyes. "Are we clear on this subject?" said Allie. The screamer nodded and she removed her hand. "Can I scream a little?" he asked. "No," said Allie. "Your screaming days are over." "Darn." And he was quiet thereafter.
I wanted to be a songwriter.I didn't so much want to be a performer.I more grew into that just from being a songwriter.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
All the best bands have to have more than just one strong songwriter.
I think over time I've learned to stop being a screamer and get interactive; otherwise, you get killed in Hollywood. I stopped being a screamer shortly after 'Blade Runner,' kicking doors and things like that, because I wasn't actually getting anywhere.
When I go on the road now, which is less than before, but still more than I'd like to, I think of myself primarily as a singer. Not a songwriter, not a celebrity, just a man who likes to sing.
Back when we were more in the industrial vein, it was almost like I had to hide the fact that I could sing. Now, I've just sort of embraced the fact that I can sing and I'm not a screamer or hiding it behind any effects, this is just what I sound like.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
I think I'm much more of a guitar-songwriter than a singer. I start with chords and then test out melodies rather than improvising over it.
As a songwriter there's nothing more exciting than the unknown, the new and different.
I'm more than a songwriter. I'm a creative person. Some people you just always see. I won't allow you to see me unless it makes sense. There's a reason to see me.
One quality of a good songwriter is to be vague. A vague notion, a vague image, but enough to give the listener the opportunity to make more out of what's being said than is there. That's the great thing about Bob Dylan's songs: We the listeners have made more out of them than he ever intended.
I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter - I just didn't identify as a songwriter at all.
My writing voice is a little quirkier, more singer-songwriter-y than the Top 40 stuff I cover.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
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