A Quote by John Corey Whaley

Approaching my second novel was, admittedly, a bit of a struggle. But having an amazing team at Atheneum Books, especially my very patient, brilliant editor Namrata Tripathi, took a stressful situation and turned it into a really great learning experience for me.
In terms of age, I think I've covered about as wide a range as is possible, having written everything from picture books to early chapter books to middle grade novels to YA to one adult novel - and having been editor and lead writer for a magazine for retired people!
I did the first Parker novel, in which he got caught, and the editor at Pocket Books took me to lunch and said, 'Is there any way that this guy could get away at the end, and you could do three books a year for us?' And I said, 'I think so.'
During my senior year, there were NBA scouts at my games. At some point, I guess, I started hoping I'd get drafted by a team where there would be a great situation for me. As it turned out, Portland was the best situation for me.
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
I know that I present very - they say that I present very, very calm and very, very smart, very articulate, elegant. Yeah. And I go, 'Brilliant teams of makeup and wardrobe happened to dress me and clothe me and put my face on and do my hair. And then these brilliant teams of writers give me words to speak. I just need to make sure that I have them all in this combination in my body, in my being, and then I get to do it on camera, in front of a brilliant team of camera workers who really know how to like me and make me sound good.' So I'm just really a dork in real life.
I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.
When I came off the Halloween movies, they were very stressful movies to make. That had been four very stressful years. I'm happy with how they turned out, but getting the end results took so much fighting with people and so much craziness, that at the end of it I was so burnt out.
I usually submit a novel at a certain number of words, and when I've finished working with my editor, the novel is longer than when I submitted it. I need my editor to help me open up the story.
Evidence shows that having even weak social connections in a stressful situation is really good for your health and your ability to handle that situation.
Whenever you're confronted with a tough work situation, stop for a second and try to honestly answer this question: Am I approaching this emotionally or am I approaching this professionally?
It was really, really heartbreaking to not be named to the team in Sochi, but some things are just not meant to be. That experience changed me as a skater. I took a step back and decided that some things are not worth accepting. I wanted to be on another Olympic team. I took time to evolve myself as a person and as a skater.
Running a marathon is a stressful event for your body, mind and spirit. But when you put yourself through that willingly, consciously and in a learning atmosphere, you begin to understand how to deal with any stressful situation in a way that does not drain you.
Baltimore, it's been an amazing place and experience. It's opened my eyes a little bit just of other organizations. I'm proud to be a part of this team, proud to be part of this group of men that really challenged each other, never pointed the fingers, never turned our backs on each other.
The Butcher Boy is a very great novel indeed and a very important Irish novel. The ambiguity of that is, he's writing a book about an appalling situation and he does it in a hilarious way.
I grew up with a family that kind of always took care of me. They were always doting over me and I was always like a helpless little child. I think it's been a really big learning experience to be on my own and realize I can conquer things without having someone rescue me.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
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