A Quote by John Corey Whaley
I'm beyond thrilled to be working with Faber, whose literary history is second to none. And I'm even more excited to bring my books to a wider audience in the U.K.
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The book I'm working on next, which will be my fifth, returns to literary history. I really do love literary history, and I have plenty more ideas on it.
I am proud, and more than a little excited, to be asked to work with Faber in an editorial capacity. It is my dearest hope that we will produce some fantastic books together.
Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.
To me, mass media is when you are able to use a platform to reach an audience on a large, global scale, and I think YouTube has certainly achieved that and is still finding ways to bring a wider range of content to its audience.
In 1935, Faber & Faber published an anthology entitled 'My Best Western Story' in which the genre's leading practitioners contributed what they considered their finest. Alas, literature the stories ain't; they appear more like fossils from a spent mine.
My pressure is second to none and my timing and attitude are second to none, and that's what I want to be recognized for; not for being undefeated, because what does that mean? That just means you won. And I want to known for my style and the way that I fight, the timing that I bring and the fact that I rely on my reactions, stuff like that.
The rest, with very little exaggeration, was books. Meant-to-be-picked-up books. Permanently-left-behind books. Uncertain-what-to-do-with books. But books, books. Tall cases lined three walls of the room, filled to and beyond capacity. The overflow had been piled in stacks on the floor. There was little space left for walking, and none whatever for pacing.
We absolutely need diversity [in game designers]. And not just diversity of gender, but diversity of cultures, of ethnicity, of sexuality. If we want to reach beyond the audience we have we've got to bring in more players, and to bring in more players we've got to bring in people who might be able to reach those players.
Cruz is a little too athletic for Faber, Faber is flat-footed.
There is a sort of knowledge beyond the power of learning to bestow, and this is to be had in conversation; so necessary is this to the understanding the characters of men, that none are more ignorant of them than those learned pedants whose lives have been entirely consumed in colleges and among books; for however exquisitely human nature may have been described by writers the true practical system can be learned only in the world.
I am thrilled to become International Vogue Editor at Condé Nast International, which has a real commitment to journalistic excellence, and to have the opportunity to write for a wider global audience through the Vogue websites.
I am thrilled to become international 'Vogue' editor at Conde Nast International, which has a real commitment to journalistic excellence, and to have the opportunity to write for a wider global audience through the 'Vogue' websites.
The word inventors have to create a new term to describe how I felt when I learned that 'Refund' was on the shortlist for the Frank O'Connor International Story prize - Excited, thrilled, honored, none of them quite do it.
Neil and I are most thrilled that we were able to bring musical theatre to the enormous audience that 'The Sound of Music' reached.
Here's the rule that I set for myself, and I believe it - even on a show like 'Curb Your Enthusiasm': the more personal you are, the wider your audience.
I've summarized dozens of books in my literary career; it's become rather second nature.
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