A Quote by John Corigliano

I'm glad I won it because when I grew up the Pulitzer was the award that every composer wanted and I was like that too. — © John Corigliano
I'm glad I won it because when I grew up the Pulitzer was the award that every composer wanted and I was like that too.
You become a great composer when you win a Pulitzer. But I think that now it's a completely meaningless award.
The Pulitzer Prize was established when Joseph Pulitzer died in 1911, leaving a bequest to create the eponymous award. An immigrant from Hungary, Pulitzer struck it rich by combining the 'St. Louis Post' and the 'St. Louis Dispatch' to make the - wait for it - 'St. Louis Post-Dispatch.'
One thing about winning a Pulitzer, it means you know what the first three words of your obituary will be: Pulitzer Prize-winner. After winning the Pulitzer, I couldn't help but notice how people suddenly looked at me with a newfound respect, and would say, "He's an expert." On the negative side, I developed a terrible case of writer's block for awhile, because I felt like readers would expect every one of my columns to be prize worthy.
It seemed impossible that a scrappy book like 'Goon Squad' could win an award like that. It's such an iconic honor. I think what the Pulitzer means to me is that I'll need to work very, very hard to try to live up to it.
I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal of Honor.
I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?'
When I grew up, you wanted to look like Marlene Dietrich, Betty Grable. Fortunately, I didn't know that I really wanted to look like Lena Horne. When I grew up... black stars were stigmatized. Nobody wanted to look like Lena Horne.
I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal Of Honor. It's the best endorsement you could get as a moviemaker.
I'm fully aware that not every cartoon is Pulitzer material. That said, I'm proud of my Pulitzer portfolio, the 20 that got judged.
One of the reasons I got into this game was because I wanted to learn how to get myself comfortable in uncomfortable situations. I grew up in a tough area of Dublin, and fighting was just part of your life. Boys fight, and I won some, but I lost a lot too, and I didn't like that, I didn't like that feeling of not knowing whether I was in danger, in trouble.
I grew up thinking that I could be anything I wanted to be in this world because my mom told me that every single night.
God, I'm glad I grew up in a time when kids followed sports in the newspaper and on TV and knew every sport.
I realized that I wanted a Rhodes Scholarship, not because I wanted to go to graduate school but because I wanted to win a famous award. Quitting forced me to realize I was on the wrong track and that I had lost touch with who I was and what I cared about.
When I was a little kid I wanted to be Face. I thought, cos I had blond hair and he did too, that when I grew up I'd look like him.
As a kid, I think every kid grew up watching Jordan, that was every kid's idol... you just wanted to be like Mike.
When I grew up in the church, we were praying because the Communists were going to come over and hang you upside down on a cross, and I so wanted to be a good person, and I had these rosary beads that I would sleep with every night, and I just wanted the blessed Virgin to be on my side.
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