A Quote by John Corigliano

Eighty percent of my pieces gravitate towards an A, as a tonal thing, not at the beginning, but somewhere in it. — © John Corigliano
Eighty percent of my pieces gravitate towards an A, as a tonal thing, not at the beginning, but somewhere in it.
Even today, I notice that some of my pieces are explicitly tonal; there are actually tonics and dominants. And then there are pieces that are not tonal. I tend to think that there's a dichotomy that has to do with the way pitches are structured.
I tend to gravitate towards neutrals in my home but also love finding interesting fabrics or pieces that add a pop of color.
Jill Stein, is - and I'll make it in a personal way - over eighty percent of the people when I ran for President knew about me but then I realized that when I was running, eighty percent of the people didn't even know I was running.
For whatever reason, the films I gravitate towards do have these strange sort of tonal balances to them... I kind of realized on '50/ 50' why I liked these blending of tones, because I think it's kind of what life is like: funny one minute, sad the next, scary the next.
I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
In the theatre, words are eighty to eighty-five percent of the importance of what is happening to you for your comprehension. In film, words are about twenty percent. It's a different figure, but it's almost an opposite ratio. For the words are only a little bit of embroidery, a little bit of lacework.
It's total bullshit," he said. "The whole thing. Eighty percent survival rate and he's in the twenty percent? Bullshit. He was such a bright kid. It's bullshit. I hate it. But it was sure a privilege to love him, huh?
A wife, if she is very generous, may allow that her husband lives up to perhaps eighty percent of her expectations. There is always the other twenty percent that she would like to change, and she may chip away at it for the whole of their married life without reducing it by very much. She may, on the other hand, simply decide to enjoy the eighty percent, and both of them will be happy.
People gravitate towards their own era, nostalgia therapy is a real thing that's being tinkered with.
I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.
It's eighty percent script and twenty percent you get great actors. There's nothing else to it.
Don't tell your problems to people: eighty percent don't care; and the other twenty percent are glad you have them.
Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.
So it's probably eighty percent luck and twenty percent skill.
The haiku that reveals seventy to eighty percent of its subject is good. Those that reveal fifty to sixty percent, we never tire of.
Lyft Line came out of the vision that we've had from the beginning, which is how do we get the most affordable ride to everyone? Eighty percent of seats at all times on the road are empty. In Los Angeles, average car occupancy is 1.1, and if it were 1.3, there would be no traffic.
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