A Quote by John Corigliano
I think art can reflect tragedy.
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There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
I have changed my definition of tragedy. I now think tragedy is not foul deeds done to a person (usually noble in some manner) but rather that tragedy is irresolvable conflict.
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
I think it's a tragedy that our schools don't teach kids about money. I think it's a tragedy that it has to come to an emergency before we evolve.
When you reflect on Sept. 11 and the tragedy of that day, one of the things that came out of that was the goodness of humanity
What happens when an art form becomes ambiguous, I think, is that the standards are lowered. You can say anything is jazz. So I think it's important to reflect on what made jazz so special.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
So often, I think, in these relationship comedies, they don't necessarily reflect the people that I know. They don't reflect myself.
I think it's the job of the artist to reflect the times and also reflect his or her views of the world.
If we talk about art in general... all the works of art, each one of them could reflect a moment in the history of mankind, the time in which it was created.
I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.
I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.
I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.
I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
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