A Quote by John Corigliano

I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England. — © John Corigliano
I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England.
To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.
To find a new British composer who is really good is rare.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
One important thing, just being a film composer in general, is to have a great respect for the art that you're working on - a great respect for the film and a great respect for the filmmakers.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
When I was 20, Shostakovich was my favorite composer. I still find his Fifth Symphony wonderful, with its outstanding themes and rhythms. That's the piece that made me want to be a classical composer.
I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?'
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
I shall always respect the composer. If I embellish, it is his idea I am embellishing.
First of all, with due respect to my dad, he wasn't an ace composer. He never got the success that my uncle did.
I respect my competitors, you know, I get respect back from them. I respect people out there who pay for their tickets to come watch us compete. And I respect the reporters because they've got to come out here and tell a good story. That's what it is. It's just a cycle of respect.
A good composer is slowly discovered and a bad composer is slowly found out.
Four Tet is somebody I respect a lot. There are other artists I admire like jazz pianist and composer Marc Moulin.
I'm not a script composer. I'm a film composer and my brain is excited by images and moving elements.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
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