A Quote by John Cornwell

I find it significant that, even though contemporary philosophy tends towards forms of determinism, in the wider culture people are deeply into naming, shaming and blaming each other. So we haven't lost that sense of conscience.
We must strive to encourage East and West not only to move towards each other but also to encourage them to find a new philosophy, a philosophy which will serve as a tool determining the future of Planet Earth - our common and only shelter.
Jimmy Baldwin was the creator of contemporary American speech even before Americans could dig that. He created it so we could speak to each other at unimaginable intensities of feeling, so we could make sense to each other at yet higher and higher tempos.
I run into guys all the time that say, 'Me and my three buddies started fat shaming each other and we collectively lost 130 pounds.'
I don't think there is ever a direct connection between the philosophical community and the wider populus. I'm very aware of this because I've been working on a book on ideas in global philosophy and you always find some kind of relation between the dominant philosophies in a culture and the folk philosophy but it's not a straight-down dissemination. It's partly bottom-up. Thinkers are the products of the cultures they grew-up in. They aspire to thinking purely objectively and universally, but they are often reflecting ways of thought that are embedded in a culture.
A close, daily intimacy between two people has to be paid for: it requires a great deal of experience of life, logic, and warmth of heart on both sides to enjoy each other’s good qualities without being irritated by each other’s shortcomings and blaming each other for them.
But lost children always find each other, in the dark, in the cold. It is as though they are magnetized, and can only attract their like.
We're always too skinny, or too fat. Too tall, or too short. We're shaming each other, and we're shaming ourselves, and it sucks.
What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.
There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name.
I fear that our loss of a sense of connection with, and duties to, each other leaves us unable to effectively address growing inequality and the bitter antagonism between different communities in American society. We've been at our best when we've felt in significant degree that our fates bound up with each other, where we've had a very inclusive sense of the other, and that's now very much not the case.
So we find that in almost every religion these are the three primary things which we have in the worship of God - forms or symbols, names, God-men. All religions have these, but you find that they want to fight with each other...These are the external forms of devotion, through which man has to pass; but if he is sincere, if he really wants to reach the truth, he goes higher than these, to a plane where forms are as nothing.
I was immediately smitten with an attraction to this culture, not in the sense of high culture but of the basic way people behaved towards one another.
I don't get irrational about it, but I do have a deeply-rooted competitive spirit. Not necessarily towards other people, but towards any obstacle that I set for myself.
Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.
It seems to me that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age find its own technique.
What I've seen from keeping in touch as well as I can is that what I find so typical in Mexican culture is the helpfulness of the people to each other. I think, at this point, that is the highest good and the highest we can hope for - which is to be of help and use to each other wherever we are.
This site uses cookies to ensure you get the best experience. More info...
Got it!