A Quote by John Cusack

Getting trapped back in the '80s, it's almost like a comic nightmare, which for me is a very real nightmare. Every time I flip through the cable, I have flashbacks.
What happened when you woke up?" "I was having a dream. I don’t know what it was, but when I woke up, I had this awful realization that I was awake. It hit me like a brick in the groin." "Like a brick in the groin, I see." "I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare." "And what is that nightmare, Craig?" "Life." "Life is a nightmare." "Yes.
James Joyce is right about history being a nightmare-- but it may be that nightmare from which no one can awaken. People are trapped in history and history in trapped in them.
I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare.
When I was a little girl, my family was extremely close, loving and really happy, and then overnight, things just became a nightmare, and instead of them becoming a nightmare and getting better, they became a nightmare and just kept getting worse.
I had the nightmare when I was like nine or ten or something, I always remembered pieces of that nightmare, the feeling from it. I've always wanted to make a horror film and so I always kept thinking about that nightmare.
The nightmare of the Cold War was nuclear weapons in the hands of an irrational person. I don't want to live through that nightmare.
It's hard to wake from a nightmare when the nightmare is real.
The nightmare in every democracy, the very nightmare, is if it gets worse and worse and worse, we could end up totalitarian.
The title of my book is 'American Histories,' plural. And as far as I'm concerned, my reading of history is it is a sort of nightmare. It is a sort of nightmare, and I'm trying to wake up from it. And as any nightmare, it's full of much that is unspeakable.
You know the actor's nightmare is getting up onstage and not being prepared? I think the writer's nightmare is giving a reading and somebody standing up and saying, 'That's not your story.'
Forgiveness means it finally becomes unimportant that you hit back. You're done. It doesn't necessarily mean that you want to have lunch with the person. If you keep hitting back, you stay trapped in the nightmare.
I had never seen the classics with Molly Ringwald, like 'Pretty in Pink' or 'Sixteen Candles,' or '80s horror, like 'Poltergeist,' 'Close Encounters,' and 'Nightmare on Elm Street.' I went back and watched all of those.
I've become very interested in the spectrum of political discourse as seen on the cable news channels that are conveniently right in a row on my cable provider's dial. I can flip from Fox to CNN to HLN to MSNBC, and I find myself at night flipping it back and forth through them, and it's something of an addiction.
The nightmare? The nightmare was myself. I was my own nightmare.
'Eraserhead' is a weird, horrible nightmare, and it doesn't narratively make sense. Stuff's happening, but you honestly feel like you're in a nightmare, and it has such disturbing imagery that it stays with you forever once you've seen it.
To see human beings in agony, to see them covered in blood and to hear their death groans, makes people humble. It makes their spirits delicate, bright, peaceful. It's never at such times that we become cruel or bloodthirsty. No, it's on a beautiful spring afternoon like this that people suddenly become cruel. It's at a moment like this, don't you think, while one's vaguely watching the sun as it peeps through the leaves of the trees above a well-mown lawn? Every possible nightmare in the world, every possible nightmare in history, has come into being like this.
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