A Quote by John Cusack
Usually I do everything reverse. I practice something in movies and then I try it in real life.
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It was hard to become an astronaut. Not anywhere near as much physical training as people imagine, but a lot of mental training, a lot of learning. You have to learn everything there is to know about the Space Shuttle and everything you are going to be doing, and everything you need to know if something goes wrong, and then once you have learned it all, you have to practice, practice, practice, practice, practice, practice, practice until everything is second nature, so it's a very, very difficult training, and it takes years.
Get yourself out. Be brave. Don't leave before you're ready, because you should know that you tried everything. So there's a conviction and a confidence when you step away from something that may or may not be conducive to your life. I think if you run away too quickly, you're going to have that "Oh God, did I try everything?" feeling. Try everything. Make it work. Do everything you can. If it's not working, then know when the signal is and move on. Change. Try something different.
I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
First of all, let us try to know what love is. If love means to possess someone or something, then that is not real love, not pure love. If loves means to give oneself, to become one with everything and everyone, then that is real love. Real love is total oneness with the object loved and with the Possessor of love.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.
I feel when I say I can do something and carry this opportunity to make movies, it's because I took the time to study it. A boxer can't just jump in the ring. You've got to practice and practice and practice.
All movies aren't fun; some are hard work. You try to do something and convey a set of emotions that have to do with some real life kind of stuff.
I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.
My favorite hobby is matchmaking. It's a lot easier to do it in movies then in real life because in real life, people don't do what I tell them to do.
I feel like there's a randomness in real life that too many Hollywood movies just shave off. It feels too intentional, and life just isn't that intentional. I like popcorn movies. I like entertaining movies. But, I feel like I could do something more in the real world.
I don't like violence, in reel or real life. I prefer the quiet, beautiful genre of movies where everything is rosy and pleasant. I stay away from extreme sadness in my scripts and, somehow, I can't make movies for kids.
When you make movies based on real life, you try to exaggerate it.
I know you've heard it a thousand times before. But it's true - hard work pays off. If you want to be good, you have to practice, practice, practice. If you don't love something, then don't do it.
Real life is not like a movie. Even the best movies, the most rich, fleshed-out movies are not as rich and nuanced as detailed as real life or an actual human being.
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