A Quote by John D'Agata
I never really understood the idea that nonfiction ought to be this dispensary of data that we have at the moment. Also, roughly around the time we were doing this fact-checking. And I never really understood why people think what nonfiction's job is to give them information as opposed to something else.
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I never really understood the idea that nonfiction ought to be this dispensary of data that we have at the moment.
For a while I just couldn't imagine that there was a place for me in nonfiction. I looked around at what we were calling nonfiction and I thought, "Maybe you do have to go to poetry in order to do this other weird thing in nonfiction."
I'm not a poet, but I was in the poetry program. And I'm also not much of a nonfiction writer, at least not in the standard sense of nonfiction, nor especially in the way we were thinking about nonfiction back then, in the late 90s.
From a young age, I understood the idea of balanced flavor - the reason you put ketchup on a hamburger. I was that kid who wouldn't eat something if there was something missing. I never really understood it until I began cooking professionally, balancing acids, sweets, spicy flavors and fat.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
I've done and said a lot of things when I was younger that I don't know if I even understood what I was doing or why I was doing it. There's a lot of compassion in understanding what people go through and even in trying to understand why a person would act the way they do. I was a very reactive person, and I did things that were just really bizarre; I don't think people understood it at all.
I just never understood why someone else's love life and who they love and who they choose to be with affects so many other people's livesI never understood the whole point of opposing or hating someone else's happiness.
Nietzsche, who you don't spend too much time with after the age of seventeen, did have that one great line about "he who stares into the abyss must know that the abyss also stares into him" and I never really understood that until my friend got killed and you really get your head around the idea of what horror means. It's a truly awful thing, to really, kind of have that understanding of things and when you really peer into that.
I love nonfiction the most. It's hard to find a good nonfiction story, and that's why I'm not as prolific, I guess, as a lot of people. They're hard to find. I love the nonfiction writer Ben Macintyre. I think he's terrific at the form of telling a story in a cinematic way.
When I write nonfiction, it's always absolutely true. There will be no moment in my nonfiction where I have made something up and have to apologize to the bullying hostess of a talk show.
I never really considered writing something that was nonfiction.
I think, as poets, we are in the odd position of constantly defending our art form. Which is funny and also sort of invigorating, too. No one really says, "Oh you're a lawyer? I've never understood the law. In fact, I kind of hate it." Or, "Oh you wait tables? I didn't know that was something people did." I say it can be invigorating because, on some level, we have to evaluate what we do and why we do it almost daily. We have to explain ourselves to people all the time. We have to say, "Yes, I am a unicorn, believe in me."
Maybe, in the final analysis, they saw me as something I wasn't and I tried to turn them into something they could never be. I loved them all but maybe I never understood any of them. I don't think they understood me.
I never had a single female professor throughout my whole education, from the beginning of university to the end. Even all the books were about men; I never really liked reading books about the history of science, and I never really understood why.
I really loved my dogs. Everyone laughs at me for it, but it's true. The time I spent with them, running, hunting, those were the happiest times of my life. They understood me. They were animals but they understood me far better than anyone in my family ever will. We shared something, we were the same. And they made me kill them.
I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.
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