A Quote by John D'Agata

The essay community should have hundreds of anthologies from hundreds of different perspectives that are constantly introducing us to new writers, new work, and new visions for our genre. The whole spirit of these anthologies is that there should never be a last word in how essays are interpreted or what they can be.
I've always liked traveling around Europe and seeing the architecture. The buildings in capital cities have been there for hundreds and hundreds and hundreds of years. Some look better than the new ones.
You have noticed that the human being is a curiosity. In times past he has had (and worn out and flung away) hundreds and hundreds of religions; today he has hundreds and hundreds of religions, and launches not fewer than three new ones every year. I could enlarge on that number and still be within the facts.
In fact, our need to feel like big shots keeps us wedded to inadequate perspectives on the world, keeps us from exploring and dealing with what doesn't fit into those perspectives. We should be trying to formulate a bigger, richer perspective to accommodate what doesn't fit, but no matter how beautiful and true that new perspective looks to us, we should always be prepared to acknowledge that it doesn't accommodate something we haven't yet confronted.
We talked to a lot of filmmakers who had worked on other anthologies and we looked at every anthology, and we wanted to just find a different way [for Tales of Halloween]. And being that unity was what the whole spirit of the project was - unity and friendship and community.
While we clearly need health-care reform, the last thing our country needs is a massive new health-care entitlement that will create hundreds of billions of dollars of new unfunded deficits and move us much closer to a government takeover of our health-care system.
The object of a New Year is not that we should have a new year. It is that we should have a new soul and a new nose; new feet, a new backbone, new ears, and new eyes. Unless a particular man made New Year resolutions, he would make no resolutions. Unless a man starts afresh about things, he will certainly do nothing effective.
I am also working on a couple of short stories for anthologies. This is new to me and I'm enjoying it.
The dreams and the visions of the Israeli founding fathers, these were very very ambitious dreams. They were world reformers. They wanted to create a new and improved kind of humanity, or at least, a new and improved Jewish society, a new and improved Jewish individual human being here. The whole Zionist project was based on a whole spectrum of different and even conflicting dreams and visions.
Wherefore give all diligence to the Spirit's motion and leadings, what it moves against, and what it leads to; for now will God make all things new: A new creation, new heavens, and new earth, and new heart and mind, and a new law, a new man to walk therein with his Maker with cheerfulness, and the old bonds are broken by the Spirit's leading, and to serve in newness of spirit.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
I am also working on a couple of short stories for anthologies. This is new to me and Im enjoying it.
Philosophy by showing - including philosophy in literature - does truly valuable work in leading us to new perspectives from which our arguments can then begin. It does so by introducing new synthetic complexes, which we then reflect on from various points of view. When the complexes survive and grow, that initial showing has been philosophically decisive.
When they do bring on new people, it's good for the show. It's like getting a new toy. The writers enjoy it because it's a whole new character that they can write for, one that they aren't used to writing for. They can try different things.
There where hundreds of graves. There where hundreds of women. There were hundreds of daughters. There were hundreds of sons. And hundreds upon hundreds upon thousands of candles. The whole graveyard was one swarm of candleshine as if a population of fireflies had heard of a Grand Conglomeration and had flown here to settle in and flame upon the stones and light the brown faces and the dark eyes and the black hair.
Conversion is not a repairing of the old building, but it takes all down, and erects a new structure... The sincere Christian is quite a new fabric, from the foundation to the top-stone. He is a new man, a new creature; all things are become new. Conversion is a deep work, a heart work. It makes a new man in a new world. It extends to the whole man, to the mind, to the members, to the motions of the whole life.
And we should forget, day by day, what we have done; this is true non-attachment. And we should do something new. To do something new, of course we must know our past, and this is alright. But we should not keep holding onto anything we have done; we should only reflect on it. And we must have some idea of what we should do in the future. But the future is the future, the past is the past; now we should work on something new.
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