A Quote by John Darnielle
If you get into a fight and somebody punches you, you get two feelings. One: That really hurts. Two: That relief in the realness of, like, Wow, this is what it is. It's not an intellectual process.
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If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye.
Before I played in the NHL I had two surgeries. Definitely I was like, 'Wow, this is not good. I haven't played a game yet and I have two surgeries.' I didn't get another one ever again. I was fortunate.
If you're in the ring with somebody that doesn't throw good punches, guess what. Don't have him throw any punches. You work to their strengths. It's really not that difficult. You don't try to get them to do things that are out of their realm or whatever. It's not hard. It's not rocket science.
Anybody and everybody's going to get it. I'm not racing through my division. I'm cleaning it out. So if you want two L's, you're going to get two L's, and if you're looking for one, come fight 'Blessed.'
Producing and deejaying are two different outlets to the same creativity. When I'm in the studio I get to create and go through my process. When I'm on stage I get to share the results of that process with everybody. It's two different experiences but they both go back to the same thing and I love them both.
Novels are so much unrulier and more stressful to write. A short story can last two pages and then it's over, and that's kind of a relief. I really like balancing the two.
Ask two people to tell you anything, you’ll get two versions. Even easy things like directions, let alone important or semi-controversial topics like why a fight started or what a person was generally like. If you don’t know something for yourself, you just can’t be sure.
It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.
You want the truth, of course. You want me to put two and two together. But two and two doesn’t necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labeled bones.
Whenever I think I'm going to do two films a year, I get another wonderful story, like 'Stree', and I'm like, 'Wow!'
In my opinion, whenever you get two guys who want to fight each and two guys who want to be in a good fight, you let them fight.
I think the terminology I would use is 'a continuous process of reflection'. I've always thought of only two questions that have mattered to me personally. One is what is really needed in the world and the second is what's really important to me and how these two intersect. It's always been a reflective process - spiraling around these two poles.
I like to work in the morning. I like to sometimes go to a place where I'm all alone where I'm not going to get a phone call early that hurts my feelings, because once my feelings are hurt, I'm dead in the water.
A lot of people say, 'Wow, you're a single father of twin boys, that's crazy!' Two toddlers can get hectic, but I wouldn't change it for anything. Every day they teach me different things. The love is there. When you have a two-year-old saying every other hour, 'Papi, te amo. Papi, I love you,' it can't get better.
Make a spurious division of one process into two, forget that you have done it, and then puzzle for centuries as to how the two get together.
When I'm writing, I try not to think things like, 'Gosh, I have to finish writing this book.' Books are very long and it's easy to get discouraged. Instead I think to myself, 'Wow, I have this great story idea, and today I'm going to write two pages of it. That's all - just two pages.'
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