A Quote by John Darnielle

Adulthood is interesting to adults. But I would never want to write about stuff I dont feel everybody can connect to. — © John Darnielle
Adulthood is interesting to adults. But I would never want to write about stuff I dont feel everybody can connect to.
Adulthood is interesting to adults. But I would never want to write about stuff I don't feel everybody can connect to.
Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.
My main piece of advice would be dont worry about being published - just write a really good book, but also dont be afraid to write a bad book. Give yourself permission to fail, and dont be afraid.
The one concession I've made as I've gotten older is that my children are now adults and they're in their twenties and thirties and so I'm careful about how I write about them. I may write about them as a child, but I'm not going to write about their current struggles because they're adults and they can do it for themselves. I want to give them some space in a way I didn't when they were younger.
And write what you love - dont feel pressured to write serious prose if what you like is to be funny. You're a reader as well as a writer, so write what you'd want to read.
If I could pick one reason why I want to be a writer, it would be connection. In all kinds of ways, I like to be individual and distinct; but when I write, I want to be writing about things that connect me to the people for whom I write.
I liked myths. They weren't adult stories and they weren't children stories. They were better than that. They just were. Adult stories never made sense, and they were slow to start. They made me feel like there were secrets, Masonic, mythic secrets, to adulthood. Why didn't adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?
I only write about stuff I know. I don't have a lot of experience with boys and stuff so I write a lot of songs about interesting and strange subjects that people wouldn't write songs about.
Sometimes even when the book is over I dont know whos good and whos bad. Its really more interesting, I think, to write about gray characters than it is to write about black and white.
The high-grossing films are not all that interesting to me, I have to say. It's not stuff I would want to be in. Yes, you would want the big paycheck, but that's never really been my concern.
Fame is one of the potential hazards of this job, but I really just want to make movies. I want to be respected, sure. Who doesnt? But famous-famous? I just dont care about it. And if you genuinely dont give a damn about that stuff, you really are free.
The idea for me is that if the movie connects with you the way I want it to connect with you, you should be experiencing both the horror and the wonder as a child would. From a child's point of view. When we're kids, brutality registers differently than when we are adults. Because as adults, we get too used to violence.
Oh Christ, he groaned to himself, if this is the stuff adults have to think about I never want to grow up
There are probably a couple of things I'd never write about until everyone I know is dead. And then there's other stuff which nobody would want to read a book about anyway.
I guess I'm trying to write stuff that I, as a viewer, would connect to.
I dont want to write a book; I dont want to go on T.V., because I stink at it. The only thing I have always been comfortable with is being in magazines.
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