A Quote by John Darnielle

I was writing poetry, and the Mountain Goats was an outgrowth of that. — © John Darnielle
I was writing poetry, and the Mountain Goats was an outgrowth of that.
We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.
For me, a perfect pop song is something like 'This Year,' by the Mountain Goats.
I didn't start writing until late high school and then I was just diddling. Mainly I loved to read and my writing was an outgrowth of that.
I'm not really a goal-oriented guy. I started doing the Mountain Goats just for the sheer hell of it.
Where I live, there's a lot of canyons. We're climbing constantly - we're like mountain goats. I'm just trying to get better at that.
It is written that there shall be a separation, and the sheep shall be separated from the goats. The other preachers have the sheep; I have the goats. And I have a few sheep among my goats, but they are very ragged.
Women," Mat declared as he rode Pips down the dusty, little-used road, "are like mules." He frowned. "Wait. No. Goats. Women are like goats. Except every flaming one thinks she's a horse instead, and a prize racing mare to boot. Do you understand me, Talmanes?" "Pure poetry, Mat," Talmanes said, tamping the tabac down into his pipe.
I was already writing poetry, so I transitioned from writing poetry a cappella to writing over beats, and it was way more exciting to me that way.
In my neighborhood, there are stray goats everywhere, and, someone owns it. Someone has a farm full of goats. At daytime, they just let them loose, but then at nighttime, they just come back. So, it's like, in daytime, the whole neighborhood is just filled with goats walking around.
My brother came home from college with a Mountain Goats cassette and I was like, 'What is this?' The lyrics were crazy to me. I'd never heard anything like it.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
It helped my lyric writing so much studying poetry. I thought I knew what poetry was before I immersed myself in it. Poetry is meditative. It's reflective.
Pound described poetry as original research in language, and just as formal experiment in poetry has to try things and has to go too far, so does experiment with writing about politics in poetry and what the politics of poetry is.
I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
My wife has a beastly habit of comparing poetry -- all literature in fact -- to the droppings of the goats among the rocks -- mere excreta that fertilises the ground it falls on.
I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing.
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