A Quote by John Darnielle

Most of 'All Hail West Texas' was written during orientation at a new job I had. I had basically worked this job before, I knew this stuff, so I was writing lyrics in the margins of all the Xeroxed material.
There's a rumor that President George Bush had a nose job, that he had some kind of plastic surgery, that he actually had a nose job. If this is true, that's the first new job he's created since taking office.
I've never had a job in my life that I was better than. I was always just lucky to have a job. And every job I had was a steppingstone to my next job, and I never quit my job until I had my next job.
We all had jobs that were just fronts. I felt like I was in the mob. I had a job, but that wasn't my real job. My real job was to be an actor. I always knew that and never forgot that.
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
I really enjoy work to a purpose. Maybe that makes me kind of strange. In some ways - and this is going to sound awful - it could be that writing is the worst job that I've ever had. Because it's so much more important to me and there's so much more opportunity for failure and I have so many people depending on me. In some ways it's the most satisfying, the most gratifying, and the most rewarding job I've ever had. But I actually would say it's probably the worst job I've ever had too.
In West Texas, where I grew up, I had a wind farm planned. I'd gotten the turbines bought and the land acquired, and then the renewable energy credit imploded, and it killed the margins, so the deal never worked, but the investment bank I was working with asked me and said, 'We really like what you did. Would you come to work for us?'
My dreams of taking the West End by storm as a dancer flickered but then faded; my father's ambition to see me in a steady office job was tried and abandoned. But I had won a national speaking award, had stood for election to the local council, had begun to travel and took a job working for the Labour Party.
I didn't have any terrible survival jobs. The main job I had before I was able to transition over to acting full-time was working at an after-school program at a middle school teaching improv and standup. So even when I had a regular job, I was still lucky enough to be doing the stuff I loved in some way.
My first job was at Proctor and Gamble in Cincinnati, my second job was at a pharmaceutical company in Berkeley Heights, New Jersey. My third job was at Palmolive. And I realized, three jobs in three years, maybe it wasn't the job. It had to be me.
I had no idea who Elektra was. When the producers asked me before I booked the job, I had to tell them. It was a great surprise when I actually got the job.
I was a huge rereader, so I've read all the Chronicles of Narnia, at minimum, 13 times each. In reading that series, I realized that someone had written those books, and that was that person's job. And I thought, 'That is the job for me. That is the job I'm going to have when I grow up.'
My family said that a big firm was where you'd get the most opportunities. I knew nobody who had ever worked at a firm, nobody who knew anything about it. I just tried to get the best job I could.
And every job that I had was a stepping stone to my next job and I never quit my job until I had my next job. And so opportunities look a lot like work.
I had a job to do in the ring, and the businessmen around me had a job to do outside the ring, I did my job by beating up most of the guys they put in front of me and staying in shape, but the people I trusted didn't do their jobs.
'Sleepless' was a script that had been written by three or four other writers before me, and it never really worked, but it had this amazing ending on the top of the Empire State Building that just worked, no matter what came before it.
I knew it, I just knew it! The person who had the job of writing my life's dialogue used to work on a very low budget soap opera.
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