A Quote by John Darnielle

Back in the '90s, if you did mail order in music, you could make a good living doing it if you could hustle. — © John Darnielle
Back in the '90s, if you did mail order in music, you could make a good living doing it if you could hustle.
Back in the 90s, if you did mail order in music, you could make a good living doing it if you could hustle.
It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.
I saw so many opportunities in the U.S. because I knew that I could make a living doing things I could never do in Romania.
My parents did not discourage me but could not understand how I could make a living by art. Their idea of an artist was a person who was condemned to starvation.
It is impossible for any rational creature to be happy without acting all for God. God Himself could not make him happy any other way... There is nothing in the world worth living for but doing good and finishing God's work, doing the work that Christ did. I see nothing else in the world that can yield any satisfaction besides living to God, pleasing Him, and doing his whole will.
If I could make a decent living doing documentaries, I would. I don't really care about [the other] stuff so much. But you can't make a living doing documentaries. Although it has affected my work, at least in that I think I make fairly realistic-looking pictures.
In a way, J.F.K. was the high point of the American dream. In order to go to the moon and back, all we did was say we could - and we did.
Back in the '80s and '90s, you could hit the quarterback low, you could hit the quarterback high. You could hit him pretty much late.
I thought I'm going to die. So why can't I do everything? And what is this idea that I worked all day yesterday, so I'm tired today? I've never believed that.I thought, "Just suppose I could choreograph a ballet." And I did it. Suppose I could teach dance at the theater in Cleveland. And I did it. Suppose I could sing for a living - that I could stop these two jobs as a waitress and a salesperson.
If it weren't for Criminal Records, Wax-n-facts and other indie record stores I could have only sold my CD's at my shows and by mail order as an independent artist. The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores.
When we finally had a cast and could see what they could do, here was an opportunity to go back and modify things. We didn't actually do that much modifying, but we did enough to make it feel as if they fit in their own skin, and we got a lot of good input from them. They're a terrific cast. They worked really hard.
People were doing business with one another through the Internet already, through bulletin boards. But on the Web, we could make it interactive, we could create an auction, we could create a real marketplace. And that's really what triggered my imagination, if you will, and that's what I did.
I just feel like that '90s era was pretty special from all aspects. Whether it was hip-hop, R&B, it was a lot of music back then that everyone could relate to and listen to.
Because I'm always so paranoid about doing corny things, or cheesy things in music, that often I probably don't make as good music as I could if I wasn't stifling it so much.
I grew up with Al Jarreau. We had a band together and worked these places for three years when neither one of us knew we could make a living doing music.
I knew I could make a good living working in the mills, ... I decided I didn't want to fuss with the rest of it, so I hitch-hiked back home.
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