A Quote by John Darnielle

There's the dual challenge of wanting to speak from an authentic place, and then being able to be honest about it. Even in the most mannered art, I think that's what people value, is a voice that comes from a real place.
There was about a two-year period at the end of the '60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself. I went through a metamorphosis into something more authentic for me, a more authentic stage voice and writing voice.
To be honest, I love being in Utah so I think most people have the wrong idea about the city, about the place.
I think I have come to a place where I'm able to feel more comfortable about being honest.
Art is never the voice of a country, it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction.
All I really care about is that I'm being honest and I'm real and I'm coming from a real place.
This is what magic is. It's being able to speak in a voice which makes things happen, being able to speak in a voice which causes facts to be beheld by groups of people in a way that has been purged from profane language, for us relegated to poetry and that sort of thing.
I've actually found - especially doing my cabaret show - I'm connecting with people in a way I haven't connected with them. I've found that when you're open and honest, people respond to that, whatever you're being open and honest about. You could then, when you lay that as the groundwork, say, "Here I am. This is what I think. I come in peace." Then you're able to push out, to be able to talk about more things. And that's been a really heartening thing about my life, actually.
Because of the mainstreaming of academia's victimhood culture, we are now in a place where we place more value on being a victim than on being heroic, charitable, or even kind.
I've been lucky enough to reach a place where I can speak what's in my heart, and people know that it comes from a real place; I don't have to worry about doing what someone's not doing - I can do me.
It's really important for women in the public eye to be open - these pop stars who don't look, behave, speak like real women - that's not fair on women. Being real, honest, authentic - too many women in the public eye are afraid to be authentic because they are afraid they will be judged.
A lot of being a good voice is knowing when I have a place to speak and when it's appropriate. And to speak from the heart when I do.
I usually have a location and then I put the character there. I love place names. I think I'm tricking myself by being so specific - it suddenly becomes real to me. Just because I say it's Chicago, Illinois doesn't mean it's true, but place names sort of make me grounded and then I can put some people there.
I don't think I would have made 'Blank Project; if I hadn't made 'Cherry Thing.' I think that was a real rebirth in a way, and a remembrance of how I like to make music best, the most. Like being in a more chaotic place, maybe. Like a place of making and being creative where the mistakes can be left in.
Ayatollah Khamenei actually is not the most powerful person in Iran. He does not make nuclear policy. He does not make security policy. He is one voice among many and not even the most important voice by any means.When nuclear strategy is being discussed in Iran, he is not the dominant figure to make things happen. So I think this sense which he has created to a considerable degree by his own self-promotion has made him the center of attention when, in fact, the real center of activity is some place else.
When you think back today to a time more than 70 years ago when Germany was a terrible place, a place people were afraid of, it is a wonderful development that we have gone from being a terrible place to a place that people dream of.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
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