A Quote by John Darnielle

Songs are often character studies. — © John Darnielle
Songs are often character studies.
The restriction of studies of human intellect and character to studies of conscious states was not without influence on a scientific studies of animal psychology.
Creating whole departments of ethnic, gender, and other 'studies' was part of the price of academic peace. All too often, these 'studies' are about propaganda rather than serious education.
The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines.
I have taught Philosophy, Religious Studies, English Literature, Cultural Studies, Writing and Publishing Studies, Critical Thinking.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
Music helps define the character and is an extension of the character somehow, so that you are able to use both the songs themselves and the way that you sing them to tell something about the character and his story, as well as develop a performance style.
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.
In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation.
What I like about music is the songs you can remember the lines of in a single second. The Beatles, The Rolling Stones... You can remember every line to their songs. But today, how often do you remember any of the lines to songs? I mean, I know that one of the Lily Allen's last albums is called It's Not Me, It's You. But I don't know how the songs go.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
So when I had to make a decision whether I would like to do honors degree course in Islamic studies and Malay studies too, so I thought Islamic studies would be good.
I think the history of the world suggests if one studies the Romans, and one studies the early Greeks, and one studies the history of the world, they all eventually falter if they don't come back to the basic aspect of integrity and honor and feelings of love one for another.
Some songs depend heavily on the character, but, for the most part, a great song begs for reinterpretation every time it is sung, even when in character.
Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.
Pain is a common emotion in many of my songs mainly because I often don't know other ways to express it adequately. In my songs I wrestle with the things that I don't understand.
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