If I played badly as a kid, my dad would tell me, and my mum would say, 'You were brilliant today'. It's nice to have both: when I need a bit of confidence, I'll see her, and if I need to hear it straight, I'll see my dad.
I tell my 5-year-old, 'Once you commit to something, stick it out.' I would never want him to look at Dad and think Dad was a quitter.
I have a bad reputation in England, and I don't know why. Maybe it's something that has just followed me. But one thing I always say is that 90% of the people I've played with would say I'm an amazing guy, a great teammate. Other people, those who work on the gate at every stadium I've played at, will tell you I am a humble guy and a nice person.
I played a lawyer in a movie so many times I think I am a lawyer. And clearly I'm not a lawyer, because I got arrested.
I played a lawyer in a movie, so, many times I think I am a lawyer. And clearly I'm not a lawyer, because I got arrested.
The identity of Studio Ghibli movies are how the characters move. They move like live, real people.
I think that's something that people feel that I do really well; I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?
I think that in some ways 'Climax' is easier to digest than my other movies because the characters are easier to identify with. You love them because they're young, they're great dancers, they're beautiful, and they are willing to construct something. They're not losers like most of the characters of my previous movies.
If you're worried about messaging, people will just move to something else. You know if you legislate against Facebook and Apple and Google and whatever else in the US, they'll just use something else. So are we really safer then? I would say no. I would say we're less safe, because now we've opened up all of the infrastructure for people to go wacko at.
But he did say that the character would be on the sidelines in movies One and Two, and move into the middle with number Three, but I didn't realize he would move in with quite such a bang.
My grandfather was a lawyer, my dad was a lawyer, my mum was a lawyer, I got an uncle who's a lawyer, I got cousins that are lawyers.
My dad's job was to manage apartment complexes, so when people would move out or when people would die or whatever, people left things in their apartments, he would always bring me home people's collection of music that they left behind. I was excited because I didn't really have money to go to the CD store all the time.
I didn't want to play a lawyer. I didn't want to play a doctor. I didn't want to play a single dad. I wanted to do something I felt I could learn from, something that would be a challenge and something that would not dry up.
Frank Sobotka in 'The Wire' on HBO was one of the greatest characters I've ever played. They cut his throat at the end of that season. There's something about creative coupling that seems to go with great characters, and the fact that you can never play them again once you're done.
I tell people I never got to hear Dylan Thomas read because my husband wouldn't let me, because he thought it would be a sort of bad influence. People say, 'And you didn't go?' They're so surprised because the me they know would have gone. And I say I was very much a 'yes, dear' wife.
I think people are excited because, even watching 'Boy Meets World,' you can tell that those characters are going to do something when they get older. I think people are excited to see characters they grew up with continue.