A Quote by John Davidson
It wasn't until I went to college that I met the theatre people and began to admire them because they were learning a trade that was guaranteed to make money!
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It wasn't until I went to college and met different people from different areas of life - and then went to San Francisco and met people who really knew who the hell they were - that I kind of caught up in a hurry.
All through the nineties I met people. Crowds of people. Met and met and met, until it seemed that people were born and hastily grew up, just to be met.
It's not something to complain about, but just the major difference between college and the pros is that in college you're guaranteed four to five years so long as you don't do anything criminally and in the pros you're guaranteed one day because you can be cut the next.
Everyone has a different path. I knew no one in the acting industry growing up. I never did a play until college. I was not outspoken when I was younger and I hated being the center of attention. But I had a dream of being an actor. I went to NYU and studied theatre. I learned a craft. And began my career straight out of college.
This revolution began with young people in Syria demonstrating because they wanted a future. They wanted opportunity, education, and so forth. They went out and they did it. Thugs came out and beat them up. The parents got angry that the thugs beat the kids up, and they went out and demonstrated, and they were met with bullets. They were killed. That's how this began.
College is such a unique time because you're learning a little bit how to be an adult. You're learning how to take care of yourself without parental influence, and you're exposed to so many great minds. I feel like I didn't even know how to think until I got to college.
The way the Europeans work, most girls get paid by their federation; their country pays them. Essentially the federations say go represent our country, race on whatever trade team you want, and here's your money. So you don't really make you're money on trade teams. Europeans make money through their country's federation. There's not a lot of money for women in cycling in Europe either.
My parents met in the theatre, and I thought that was so romantic. My dad was a scenic designer and my mom was a dancer, and that's how they met; they met in the theatre.
Learning to write for the theatre is learning to be a human being, because the theatre by its very nature makes you deal with other human beings.
If you’re not familiar with it, a college degree is a thing that we tell our kids to buy with money they don’t have, in hopes that it will help them make money they might earn, which will give them the ability to pay back the money they spent in order to make the money they’re paying it back with.
I want men to admire me, but that's a trick you learn at school--a movement of the eyes, a tone of voice, a touch of the hand on the shoulder or the head. If they think you admire them, they will admire you because of your good taste, and when they admire you, you have an illusion for a moment that there's something to admire.
When I began doing theatre in high school I saw that I could get laughs from people but I didn't really connect that to going on and becoming a comedian. I was interested in acting and while I was at Boston College I was part of an improv group, Mother's Fleabag, which had a long history and has been known as one of the best college improvisation groups in the U.S.
I started preparing meals for my family when I was 12 because both of my parents worked, but I didn't know that it was something I could make a career out of until I had my daughter and realized there were people out there who were interested in learning how to prepare a quick meal.
I suppose what's so amazing about working at the National Theatre is that, because it's a subsidized theatre, you're not trying to create a product that's going to have a mass market in order to make the money back.
In my era of wrestling, there were no guaranteed contracts, so it was inherent that you draw the crowd in to make money.
I'm doing The Physicists, which is great, and I do have my agent to thank for that because a lot of agents try and talk you out of doing theatre. They don't push theatre because you can make more money doing television, whereas theatre wages are pretty shocking. But it's something I've always been keen to do and have been encouraged to do so, which is nice.
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