A Quote by John de Lancie

I was raised on the classics - Jules Verne, H.G. Wells, and others. — © John de Lancie
I was raised on the classics - Jules Verne, H.G. Wells, and others.

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As a kid I read Jules Verne, H. G. Wells, and a few others. As an adult have admired Leonardo da Vinci's drawings and notebooks.
By 'scientifiction' I mean the Jules Verne, H. G. Wells, and Edgar Allan Poe type of story-a charming romance intermingled with scientific fact and prophetic vision
Sometimes I feel that a more rational explanation for all that has happened during my lifetime is that I am still only thirteen years old, reading Jules Verne or H. G. Wells, and have fallen asleep.
In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book.
I'm the most translated writer in the world, behind Lenin, Tolstoy, Gorki and Jules Verne. And they're all dead.
I never liked Jules Verne, believing that the real was always more fantastic than the fantastical.
I remember being captivated by Jules Verne's 'Twenty Thousand Leagues Under the Sea' when I read it as a kid.
I wasn't a big science-fiction fan growing up. But I loved Jules Verne and Sherlock Holmes. Both came into play on 'The X-Files.'
To place a man in a multi-stage rocket and project him into the controlling gravitational field of the moon where the passengers can make scientific observations, perhaps land alive, and then return to earth - all that constitutes a wild dream worthy of Jules Verne.
I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors.
There's a reason why Jules Verne chose the place where the glacier was, where we start to descend into the center of the earth. That area specifically has magical powers and people come to this place from all over the world. I actually think that's true of all Iceland. I think it's so special, apart from the water and air being so clean.
Science fiction [is] the kind of writing that prepares us for the necessary mutations brought about in society from an ever changing technological world and as a result. The mainstream hasn’t excluded SF; the mainstream has excluded itself. No one told Jules Verne he was a science fiction writer, but he invented the 20th century.
The real origin of science fiction lay in the seventeeth-century novels of exploration in fabulous lands. Therefore Jules Verne's story of travel to the moon is not science fiction because they go by rocket but because of where they go. It would be as much science fiction if they went by rubber band.
To place a man in a multi-stage rocket and project him into the controlling gravitational field of the moon where the passengers can make scientific observations, perhaps land alive, and then return to earth - all that constitutes a wild dream worthy of Jules Verne. I am bold enough to say that such a man-made voyage will never occur regardless of all future advances.
In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.
I actually think I'm more of a turtle than Verne is. Where Verne is up on two legs and moving at full speed and doesn't pull his head into the shell very often, I in reality was five or ten minutes later to every recording session.
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