A Quote by John de Lancie

I usually play the sort of hard-boiled guy who is forcing situations - I'm not usually playing the person in reaction. — © John de Lancie
I usually play the sort of hard-boiled guy who is forcing situations - I'm not usually playing the person in reaction.
'D' is about a guy who starts off somewhere, and he's a very thinking kind of a guy. He's not an emotional person; he doesn't react to situations. Instead, he's virtually choreographing the situations. So it's a development of a character.
I always have hard-boiled eggs with me to eat egg whites for protein. Even when I travel, I bring eggs with me so I don't eat the plane food. Yes, I'm the person you do not want to sit next to with hard-boiled eggs.
What I remember from [the first meeting with Samuel L. Jackson] was that he was a friendly, animated kind of guy. His screen image is a hard boiled intimidating kind of character. That's what I remembered thinking, 'Boy, this guy seems like a normal guy.'
But being energetic in my playing is something I've always thought was the right thing to do. Like I'm never forcing it, like "My God, I've gotta play so hard tonight!"
It's possible to be hard-boiled and not noir, just as it's possible to be noir and not hard-boiled. And it is possible to be both. People debate endlessly what is hard-boiled and what is noir.
Sometimes when you're the good guy, you're sort of trapped. "Oh, he can't say that." And even when you're playing a real person like a Steven Biko, you're sort of stuck within those confines. So yeah, bad guys do have more fun.
It's much harder to play beloved than to play a rotten guy. Rotten guy is a piece of cake. So playing a beloved person really sets a high bar for your behavior and your acting and what you project.
When you have the ball above the net height on grass, it's easier to play, and when the ball comes at you more slowly, it's easier to play. But when a guy hits hard and deep, I think you have to have been out there playing to understand, but it's hard to really hit the ball.
No one ever has a chance to get to know the real me because I do play a bad guy, and sometimes it's hard to soak in the comments or the negativity because that's the response you want to elicit. I am a normal person, but that's part of the job. I'm playing a character, and that's my role.
I've always wanted to play a hard-boiled gumshoe, as they say.
I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.
And if we’re talking about hard-boiled detectives, too, what could be more hardboiled than the worldview of Ligotti or Cioran? They make the grittiest of crime writers seem like dilettantes. Next to The Conspiracy Against the Human Race, Mickey Spillane seems about as hard-boiled as bubble gum.
Because I'm a big guy, I was always playing the bad guy or whatever, but after I did 'The Blind Side,' where I played a father who's a really loving, likeable sort of person, a lot of those barriers were broken down. People saw me as something softer, not so much as a heavy anymore.
No one is really playing the good guy, but if they want to play the bad guy, I'm ready to play the super hero and take these guys out.
I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.
I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
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