A Quote by John de Lancie
My first interaction with Gene was that after I auditioned I walked out of the room and then this big guy walks out with me, and he puts his hand on my shoulder and he says, 'You make my words sound better than they are.' And I said, 'Well, you must be the writer.' And he said 'I'm Gene Roddenberry.' And I had no idea who that was.
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Initially I objected to the Data makeup. I said, "Why do I need this makeup? Why can't I just look like me?" In fact, I said to Gene Roddenberry, "Don't you think that by this time in history, they would've figured out how to make skin look like skin?" And he said, "What makes you think that what you have isn't better than skin?" And I went, "Um, okay."
Patrick Swayze reminded me a lot of Gene Kelly. Patrick had that Everyman quality. Gene made dancing sort of an accessible idea for the regular guy out there.
Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the English language alive today! I mean it. Shakespeare was a better stylist, Melville was more important to American letters, and Charles Dickens had a defter hand at creating characters. But among living writers, there is nobody who can even approach Gene Wolfe for brilliance of prose, clarity of thought, and depth in meaning
Within weeks of our premiere, it became obvious that Leonard [Nimoy] and the character of Spock were becoming something of a national phenomenon. ... And to be unflatteringly frank, it bugged me. ... [Then, Gene Roddenberry] said to me the wisest thing he could possibly have uttered. He said, `Don't ever fear having good and popular people around you, because they can only enhance your own performance. The more you can play to these people, the better the show.'
Who did you pass on the road?" the King went on, holding out his hand to the Messenger for some more hay. "Nobody," said the Messenger. "Quite right," said the King; "this young lady saw him too. So of course Nobody walks slower than you." "I do my best," the Messenger said in a sullen tone. "I'm sure nobody walks much faster than I do!" "He can't do that," said the King, "or else he'd have been here first.
It was seriously just a name. They didn’t tell you what to do. They didn’t tell you how they wanted the character to be - nothing. You went in to audition for this character name and that was it. When I started, before I came onto the set, I went to Gene Roddenberry and said: hey, what do you want from this guy? Who is he? And being as smart as he is, he said: don’t listen to what you’ve heard or read or seen in the past, nothing. Just make the character your own. And that’s what I did.
I'm a big believer in first impressions," he finally said. "Tell me what your first thought was when Jason walked into the courtroom." Taylor took a sip of her drink and grinned. This one was easy. "I vowed to hate him forever." Jeremy's brown eyes twinkled at this. "That's exactly what I said nineteen years ago, five minutes after he first walked into our dorm room.
I wanted to be an actor and I wanted to be a performer. Like Hugh [Grant] said earlier, we might all have this weird gene. Hopefully I will continue to have the talent to allow that gene to play itself out for as long as it can.
Can't argue with Gene Roddenberry. He was a pretty brilliant guy.
A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.
Gene Kelly has meant so much to me through the years. I used to dance in my living room in socks and a tee-shirt, no idea what I was doing, but wanting to dance like Gene.
Whereas recessive traits require two bad copies of a gene to become noticeable, a dominant trait expresses itself no matter what the other copy does. A benign example of dominance: If you inherit one gene for sticky wet earwax and one gene for dry earwax, the sticky earwax gene wins out every time.
I remember we [with Donald Trump] were sitting in a meeting and he walked in and he looked at me and he said - maybe five or six of us in there - and he said, "Are you the first woman to ever run a presidential campaign?" And so the guys in the room said, "First Republican woman." And I said - you know, I always think of Susan Estrich and Mary Kay and Donna Brazile, and respect them enormously; know one of them very well. And I said, "Well, I'm the first Republican one."
Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty look, repeats his words, Remembers me of his gracious parts, Stuffs out his vacant garments with his form
[Make a sitcom] was really the idea of Executive Producer Joe Roth who owned the property over at Revolution Studios and said he was thinking about taking it to TV. And after he said that he already had [writer/director] Ali Leroi on board, and that he was going after Terry Crews, to me it was a no-brainer. I said, "Let's put this together!"
Gene Autry was the most. It may sound like a joke - Go and have a look in my bedroom, It's covered with Gene Autry posters. He was my first musical influence.
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