A Quote by John de Ruiter

When you're all in, you will know sweet vulnerability. — © John de Ruiter
When you're all in, you will know sweet vulnerability.
Revenge tries to solve the problem of vulnerability. If I strike back, I transfer vulnerability from myself to the other. And yet by striking back I produce a world in which my vulnerability to injury is increased by the likelihood of another strike. So it seems as if I'm getting rid of my vulnerability and instead locating it with the other, but actually I'm heightening the vulnerability of everyone and I'm heightening the possibility of violence that happens between us.
You will never know the exquisite pain of the guy who goes home alone. Cause without the bitter, baby, the sweet ain't as sweet.
Sweet is the rose, but grows upon a brere; Sweet is the juniper, but sharp his bough; Sweet is the eglantine, but stiketh nere; Sweet is the firbloome, but its braunches rough; Sweet is the cypress, but its rynd is tough; Sweet is the nut, but bitter is his pill; Sweet is the broome-flowre, but yet sowre enough; And sweet is moly, but his root is ill.
There's vulnerability - so I have to make sure the audience is certain that I know what I'm doing. There's vulnerability there because my heart is open, but at the same time I definitely have a lot of "weapons" at my disposal. I have all the language, I have all of the moment - I have all of that to spar with somebody, to take anything on.
Coming from New York, I know that if you go by a delicatessen, and you put a sweet cucumber in the vinegar barrel, the cucumber might say, "No, I want to retain my sweetness." But it's hopeless. The barrel will turn the sweet cucumber into a pickle. You can't be a sweet cucumber in a vinegar barrel.
There's something to be said for being sleepy-eyed. I love sleepy eyes - that sort of vulnerability of being slightly discombobulated because you don't know where you are. But I like that vulnerability. It's sexy to me.
If I do a portrait, I know what they can take. If somebody's a sweet, shy person, the photographs will be sweet and shy. Of course, you ask people to do something which they might not have done before, but that's the journey, the fun element.
Being sweet is something that's already given. As a beauty queen, you know that you should be relatable to people, that you should be authentic - and that makes you sweet. But you should also have that 'it' factor, and the confidence that will make you spicy.
I don’t know. She was a sweet girl. As sweet as they come. I don’t know why I didn’t love her. It’s something you can’t really control.
I now know that anything sweet, really sweet, that I have was nothing that I planned. If you don't have kids and animals, you don't truly know what real life is about.
It's interesting to me that I get cast as mothers and really maternal, sweet, nice people... Maybe I have a vulnerability or something; maybe that's what it is.
The vulnerability of precious things is beautiful because vulnerability is a mark of existence. The destruction of Troy. The fall of the petals from fruit trees in blossom. To know that what is most precious is not rooted in existence - that is beautiful.
There is no intimacy without vulnerability. Yet another powerful example of vulnerability as courage.
By recognizing your own vulnerability you can recognize and identify with the vulnerability in others.
I love finding the vulnerability in characters. There's truth there. There's beauty in vulnerability.
Doth sickness fill my heart with fear, 'Tis sweet to know that Thou art near; Am I with dread of justice tried, 'Tis sweet to know that Christ hath died.
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