A Quote by John Densmore

The first drum beat we all heard was our mother. — © John Densmore
The first drum beat we all heard was our mother.
As I watched the pulsing fire among the trees and heard the beat of the drum merge and tremble with the voices, forming an intricate pattern of sound, I knew that someday I would have to return or be haunted forever by the beauty and mystery that is Africa.
I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
When, within our souls and psyches we are made aware of a safe but insistent drum beat, repeated like butterfly wings in motion, we sense the message...that our inner self has begun its search for freedom.
Bill Ward, when you hear his beats, he's not just playing a straight 4/4 beat; he's doing almost a hip-hop beat. There's a song called 'Sweet Leaf.' The drum beat that he's playing, he's trying to kind of swing and funkify it. Now, is he doing a great job of it? Maybe not. Maybe.
My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
The very first time I ever heard anything of mine on the radio, I was in New Jersey, and I was in my teens. I did my first record, which was an old standard called 'My Mother's Eyes.' It was the old Georgie Jessel theme. I heard it on local radio out of Newark. And it was very exciting!
Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
I think a lot of people saw 'Fight Club' and thought, 'Right, here's our next Che Guevara, here's our next Fidel Castro, here's someone who's going to wave the flag.' And I was like, 'No, it's just a book. And if I beat that drum, if I play that song one more time, I won't have a career.'
We drummers all know that our mother's heartbeat was the first instrument we heard. As a race, we've all been trying to get back to that womb. That's why rhythm makes us move... dance.
Time is rhythm: the insect rhythm of a warm humid night, brain ripple, breathing, the drum in my temple—these are our faithful timekeepers; and reason corrects the feverish beat.
I kind of go to the beat of my own drum.
Without Metallica, I wouldn't be doing what I am doing. I have every Metallica record, of course, and I would spend hours on drums in my parents' basement with the stereo behind me, cranking those records and learning Lars' drum beats, beat by beat.
'Gorgeous' was one of those records that, as soon as I heard the beat, I was like, 'Man, this is the one. This is that 'This Can't Be Life' Kanye beat.'
I decided to do what I do when I was 2 years old. At 2 years old, you know, I heard the sound of a drum playing in the village, and I found my own drum and just picked it up and started playing, the worst song ever written by Wyclef Jean.But it actually started a vibe.
One of the instruments that really stuck out to me was the talking drum, which is basically the first type of communication device. It's a drum you put on your shoulder, and you can pitch it with your arm, and you can 'talk' with it.
I remember my first trip to Toronto. There was this street musician playing an instrument I've never seen before - like, he had a hang drum on the left side and this random bagpipe, bodhran stick type of thing. It was the craziest thing ever! So I sampled it for a beat.
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