A Quote by John Densmore
I don't play just one-two-three-four. I try to play melodies.
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I write in the mornings, two or three hours every day, and then at least four times a week I play in a duplicate game at a bridge club. I try to go to tournaments three, four, or five times a year.
We also play a Father/Son at home and I play with Steve, too. I try to mix it up. We play two or three times a year, but that's about it.
We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
When I play, I'm boiling inside. I just try not to show it because it's a lack of composure, and if you give in to your emotions after one loss, you're liable to have three or four in a row.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
Here is how I work: when I think that a film needs to have a principal theme, I search for a melody. I have a very strange melodic gift: melodies come to me effortlessly. So I write melodies-thirty, forty, fifty-then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide. That happened one time with Jacques Demy for the duo of the twins [in Les demoiselles de Rochefort]: I went to his house in Noirmoutier to play 35 possible themes for him.
If my coach needs me to play the four, I will play it. If they need me to play the three I will play it.
I need to play three or four weeks to get into a rhythm. I'm not like Tiger. I can't play one week and win.
The reality is it's still in our hands. We have to play four real good games against the Angels. If we take three of four we're still two back and then we'd need help. We'd still be breathing, but we'd need help. We'll shoot all our bullets to try and win that game (Monday) and worry about the next day when we get there.
I think I'm a three. But if we got three wings out there, I'll go play the four. As a four, I'm in the post a lot more. It changes your role.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
Performers should realize they not only have to prepare themselves for concert purposes as far as memorizing their programs goes, but for the business of just walking out before the people …. It is important to play before an imaginary audience too. Before I play in public I very often play a program three or four times as though I were seated before a actual audience.
The qualifying system helps the top guys like Sergio Garcia, who play most of their golf in the U.S. They can rely on the world rankings and just play their four extra events [with the four majors and three World Golf Championship events counting as seven European events]. But for the other guys it's tough, and I don't know if that can be changed. It is a tricky situation.
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