A Quote by John Densmore

Bass players and drummers are like brothers, working in the basement, cooking up the groove. If they don't lock together with the feel, the ensemble will suck. — © John Densmore
Bass players and drummers are like brothers, working in the basement, cooking up the groove. If they don't lock together with the feel, the ensemble will suck.
Bass players and drummers are brothers in the basement cooking up the groove that makes people move.
It's not so surprising that there are more women in metal bands. And they're not just fronting them. There are drummers and guitar players, bass players.
I don't ever have any bass in my monitors at all; I instead like to lock in with the guitar. I know the bass player has got to be locked in with the drummer, but to me, metal music is about the guitar and drums locking in and operating like a machine together. I played with my brother forever, and we were magically locked in together.
I feel with writing, so much of the time, I don't know how to tap in and be spontaneous and alive on a daily basis. So I don't write every day. I'm just not disciplined, and I can't be in the groove most of the time. I feel like I'm in the groove ten days a year or something. But with reading and research, I feel like I have this incredibly instinctive pleasure-driven process that ends up working out for me and inspiring me. It's almost like a maze, like I know eventually I'll hit the heart of my play if I read enough books.
Being a female guitar player back in school wasn't great, and I had to change schools so many times. The male drummers and bass players thought it was cool, but male guitar players said, 'It's a guy's thing. You should be doing something else, like playing the harp.'
Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.
I set myself up to be a bass guitarist and bass players get a lot more work than people like me.
I really like working with drummers, I like being able to bounce ideas off drummers.
I can understand why some of these drummers and bass players become cult figures with all of their equipment and the incredible amount of technique they have. But there's very little that I think satisfies you intellectually or emotionally.
Ben was more improvisational, and relied less on methodology, and basically is a guitarist who switched to bass, whereas Jeff has a more traditional approach to playing bass in a band, and has a great sense of what his band sounds like, and we lock up nicely.
When I was working on The Wire with the other actors, scene after scene after scene, I felt like we were singing together. We were dancing together. I'm like, "This is the best ensemble I've ever worked with. I'm working with these cats? Holy mackerel, this is heaven."
It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.
It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable
I feel like Josh, Michelle and Adam were all team players, who wanted to be a part of an ensemble.
You'd be surprised. Drummers ape each other. The way every rock n' roll record sounds like something else but not all together. Everything other drummers play, if you're playing drums, they all hear.
I think that drummers have come a long way, but they haven't forgotten players like Gene Krupa, or the other jazz players.
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