A Quote by John Dewey

Any experience, however, trivial in its first appearance, is capable of assuming an indefinite richness of significance by extending its range of perceived connections. — © John Dewey
Any experience, however, trivial in its first appearance, is capable of assuming an indefinite richness of significance by extending its range of perceived connections.
A man who has once perceived, however temporarily and however briefly, what makes greatness of soul, can no longer be happy if he allows himself to be petty, self-seeking, troubled by trivial misfortunes, dreading what fate may have in store for him. The man capable of greatness of soul will open wide the windows of his mind, letting the winds blow freely upon it from every portion of the universe.
Objects and their functions no longer had any significance. All I perceived was perception itself, the hell of forms and figures devoid of human emotion and detached from the reality of my unreal environment. I was an instrument in a virtual world that constantly renewed its own meaningless image in a living world that was itself perceived outside of nature. And since the appearance of things was no longer definitive but limitless, this paradisiacal awareness freed me from the reality external to myself. The fire and the rose, as it were, became one.
Progress is measured by richness and intensity of experience - by a wider and deeper apprehension of the significance and scope of human existence.
The arts enable us to have experience we can have from no other source and through such experience to discover the range and variety of what we are capable of feeling.
There is a conceptual depth as well as a purely visual depth. The first is discovered by science; the second is revealed in art. The first aids us in understanding the reasons of things; the second in seeing their forms. In science we try to trace phenomena back to their first causes, and to general laws and principles. In art we are absorbed in their immediate appearance, and we enjoy this appearance to the fullest extent in all its richness and variety. Here we are not concerned with the uniformity of laws but with the multiformity and diversity of intuitions.
There is only one solitude, and it is vast, heavy, difficult to bear, and almost everyone has hours when he would gladly exchange it for any kind of sociability, however trivial or cheap, for the tiniest outward agreement with the first person who comes along.
You know what I'm great at? Trivial Pursuit. What good is that gonna do you in life? It has the word 'trivial' in the name. The game is basically telling you that you pursue trivial things. Trivial - as in not important. Trivial - as in maybe you should've gone to grad school.
There is nothing in our experience, however trivial, worldly, or even evil, which cannot be thought about christianly.
It may, however, be said that the level of experience to which concepts are inapplicable cannot yield any knowledge of a universal character, for concepts alone are capable of being socialized.
It may well be easier to remember a list if one sings it (or dances to it). However, these uses of the 'materials' of an intelligence are essentially trivial. What is not trivial is the capacity to think musically.
There's something about somebody's first screenplay: it's like their whole life experience has kind of been bottled into it. They bring so much richness to it. And not that they won't do that for their next script, but there is something about their first experience and the time that it's been floating in their head.
The experience of emptiness is not found outside the world of ordinary appearance, as many people mistakenly assume. In truth, we experience emptiness when the mind is free of grasping at appearance.
You can find the richness in any moment, even the most seemingly bleak. To try to do a movie about that was a joyful experience. So actually, it was really the context of it that made the experience so worthwhile, rather than the actual subject matter, if that makes sense.
Any defeat, however trivial, may be fatal to a savior of the plain people. They never admire a messiah with a bloody nose.
I have never felt any inward assurance of genius, or any presentiment of glory or of happiness. I have never seen myself in imagination great or famous, or even a husband, a father, an influential citizen. This indifference to the future, this absolute self-distrust, are, no doubt, to be taken as signs. What dreams I have are all vague and indefinite; I ought not to live, for I am now scarcely capable of living.
I was forever changed by my experience on "Once and Again." All of us who were on that show have deep connections... familial connections.
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