A Quote by John Dickerson

Talking to the press is not always good. — © John Dickerson
Talking to the press is not always good.
That is the White House, where you can fit four times the amount of people in the press conference, allowing more press, more coverage from all over the country to have those press conferences. That's what we're talking about.
I feel like not all press is good press. Sometimes personal things can be released, and... that's not good press.
I hear what people say, I read all the reviews, all the blogs, and I am always curious to hear it, because you can't always listen to the good press, you have to hear the bad press, too.
I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
Whatever the press is talking about, they want to keep talking about it. So instead of asking yourself, 'How can I get them to start talking about me?', figure out a way to get yourself involved in what they're already talking about.
I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
I used to get great press. I get the worst press. I get such dishonest reporting with the media. I've never had anything like it before. It happened during the primaries, and I said, you know, when I won, I said, "Well the one thing good is now I'll get good press." And it got worse. So that was one thing that a little bit of a surprise to me. I thought the press would become better, and it actually, in my opinion, got more nasty.
I did a lot of fast talking as a youth; I was pretty good at it. I was never talked into it - I was always the one doing the talking.
Everyone wants to be loved, generally. If you released a record and nobody said anything, if you didn't get any feedback from people you don't know, i.e. the press, you'd be sort of upset. To me, any press is good press.
We don't like to use the phrase "state security" in the United States because it reminds us of all the bad regimes. But it's a key concept, because when these officials are out on TV, they're not talking about what's good for you. They're not talking about what's good for business. They're not talking about what's good for society. They're talking about the protection and perpetuation of a national state system.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
I'm not one of those actors that hates press and gets really groan-y about it - I always like talking about films.
I never read the good press and never read the bad press. If you believe the good press you're finished. If you believe the bad press, you won't be able to continue.
That's good advice for any young person to remember who aspires to leadership in corporate or public life. Develop a thick skin when it comes to the press. Remember you're never as bad-or as good-as the press says you are.
When women do succeed, the press, even the industry press, spend far too much time talking about how we dress, what shoes we're wearing, who we're meant to be seeing. That's pretty sad for women, especially when it's written by women who really should know better.
For billionaires who cannot buy good press, there is the option of buying the press.
This site uses cookies to ensure you get the best experience. More info...
Got it!