A Quote by John DiMaggio

Any voice where you've got to scream over a battle or whatever, that's always difficult. It's harder than it seems. — © John DiMaggio
Any voice where you've got to scream over a battle or whatever, that's always difficult. It's harder than it seems.
I did a lot of screaming in 'The Originals,' and I hurt my voice so badly that I said, 'I can't scream if you want me to be able to work for, like, the next three days.' So, what I usually do is that I scream once in the season, and we'll just use that scream, all throughout, or extend it, or do whatever we need to do.
If you have a difficult message to deliver in any circumstance, it's always best to do it first up-front, and probably be a bit harder than you have to be because it's always easier to be nicer afterwards.
On-camera stuff just hit. I decided to do it to supplement my voice-over career, but I ended up falling in love with it, and it actually hit a lot harder than my voice-over career.
I was so intimidated being on 'Nashville,' and acting is so much harder than it seems. But I'm always open to any opportunity that someone brings me.
Voice is one of the most elusive qualities in any story. We recognize it when we hear it, but it's hard consciously to create an authentic voice. Somehow voice seems to be the natural manifestation of all the narrative decisions we've made so far. We discover it more than we fabricate it.
Head held high, she stepped toward the block and sank to her knees, and it was then that Akiva started to scream. His voice soared over the pandemonium - a scream to scour the souls of all gathered, a sound to drive ghosts from their nests.
But with my last film, Spider it was agony. The money was always disappearing, nobody got paid, it was very difficult - and it's very distracting from the process of making the movie, of course. So I think things have been getting harder and harder.
The cause doesn't have to be righteous and battle doesn't have to be winnable; but over and over again throughout history, men have chosen to die in battle with their friends rather than to flee on their own and survive.
I've done a lot of shows over a long time, and I've lost my voice on plays before, and it's because I've been thinking closely about what I'm doing with my voice. Babies can scream all day and never lose their voice because they just mean it. As long as you mean it, then it carries you through. It's do it or don't.
I did know that I could do scream very well. When I was in high school, I got a very strange job one Halloween filming screams for a radio station. I would just go into a soundstage and scream and scream and scream, and everybody would put on ear plugs, so I had an inkling.
The opener is always very difficult every single year. It Really doesn't matter whom you play. The opener is difficult because you've got more time to prepare for one game than you do any game the rest of the year because you've got all spring, all summer to prepare for this opponent.
One of the most difficult things I find as an actor is to laugh on cue. It is way harder than crying or other emotions. It's sometimes harder than yawning on cue.
It always seems to be raining harder than it really is when you look at the weather through the window.
I am always nervous about doing voice-over work. I'm always clammy and I worry, "What if my voice squeaks? What if I don't deliver it right?" Until you start saying the lines, it's always nerve-wracking, for some reason, and I've never gotten over that.
I always wanted voice over to be part of my career. Even as a child, I'd watch cartoons and know that someone was doing the voices. When I moved to L.A., my hope was that I'd do on-camera work and voice over. I've ended up doing both, but the voice over side took off in a way that I didn't expect!!
I have a voice inside. A voice that I am forever trying to silence. A voice that calls me in when I want to be out, playing. A voice that is always sad. That is always terrified. That always wants to sit in the darkened room, away from noise and movement and colour - away from any experience that could prove to be challenging.
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