A Quote by John Donne
Poetry is a counterfeit creation, and makes things that are not, as though they were
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A man can counterfeit love, he can counterfeit faith, he can counterfeit hope and all the other graces, but it is very difficult to counterfeit humility.
Men make counterfeit money; in many more cases, money makes counterfeit men.
Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future.
Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.
Journalism wishes to tell what it is that has happened everywhere as though the same things had happened for every man. Poetry wishes to say what it is like for any man to be himself in the presence of a particular occurrence as though only he were alone there.
Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural.
The supreme end of education is expert discernment in all things-the power to tell the good from the bad, the genuine from the counterfeit, and to prefer the good and the genuine to the bad and the counterfeit.
It's probably easier and cheaper to counterfeit hundred-dollar bills than it is to counterfeit Bitcoin.
My feeling is that most political poetry is preaching to the choir, and that the people who are going to make the political changes in our lives are not the people who read poetry, unfortunately. Poetry not specifically aimed at political revolution, though, is beneficial in moving people toward that kind of action, as well as other kinds of action. A good poem makes me want to be active on as many fronts as possible.
Poetry is like air. It's one of the necessary things. Everyone benefits from poetry. And as you know, poetry is international. There are only two things that are truly international, poetry and wine.
Flattery is counterfeit, and like counterfeit money, it will eventually get you into trouble if you pass it to someone else.
I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.
If you want a definition of poetry, say: Poetry is what makes me laugh or cry or yawn, what makes my toenails twinkle, what makes me want to do this or that or nothing and let it go at that.
Poetry is the rhythmic, inevitably narrative, movement from an overclothed blindness to a naked vision that depends in its intensity on the strength of the labour put into the creation of the poetry.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
Poetry is a form of necessary speech... I have sought to restore the aura of sacred practice that accompanies true poetic creation, to honor both the rational and the irrational elements of poetry.
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