A Quote by John Donne

So, so, break off this last lamenting kiss, Which sucks two souls, and vapors both away. — © John Donne
So, so, break off this last lamenting kiss, Which sucks two souls, and vapors both away.
Because a real kiss, a kiss that two real people choose to give each other - it's something that can't be filmed or photographed or drawn, or even described with words. Because a kiss isn't what it looks like or how it feels. A real kiss happens down deep inside of two hearts at the same time. It's hidden away. A real kiss is invisible.
A kiss with anyone, on or off camera, can be intimidating. I’ve been kissing for nearly two decades now, and I’m always convinced I’m not doing it right. Chemistry is so important in a great kiss. You can act your way through anything, but it’s hard with a kiss.
A kiss with anyone, on or off camera, can be intimidating. I've been kissing for nearly two decades now, and I'm always convinced I'm not doing it right. Chemistry is so important in a great kiss. You can act your way through anything, but it's hard with a kiss.
The lives of individuals of the human race form a constant plot, in which every attempt to isolate one piece of living that has a meaning separate from the rest-for example, the meeting of two people, which will become decisive for both-must bear in mind that each of the two brings with himself a texture of events, environments, other people, and that from the meeting, in turn, other stories will be derived which will break off from their common story.
There are many different types of kisses. There's a passionate kiss of farewell - like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can't-really-be-with-you-but-I-want-to-be - like with Superman and Lois Lane. There's the first kiss - one that is gentle and hesitant, warm and vulnerable. And then there's the kiss of possession - which was how Ren kissed me now.
I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.
A kiss for luck, demoiselle?" It is a magnificent, lusty kiss and I feel nothing but deep regret that it may be his last. Just before he pulls away, he whispers in my ear. "Duval said to give you that should I get a chance. It is from him.
Did we kiss last night?" "Yes." "Well, it wasn't memorable because I have no recollection of it." He laughs. "I was kiddin'. We didn't kiss." He leans in. "When we kiss you'll remember it.Forever.
Four sweet lips, two pure souls, and one undying affection, - these are love's pretty ingredients for a kiss.
Flacco sucks. I played him two years in a row. He sucks.
Oh, they loved dearly: their souls kissed, they kissed with their eyes, they were both but one single kiss.
What do you mean fainted? Took a dive, kissed the pavement. Swooned like a southern belle after her first kiss. Had a dreadful case of the vapors.
Again and again, I've undergone the humbling experience of first lamenting how badly something sucks, then only much later having the crucial insight that its not sucking wouldn't have been a Nash equilibrium.
The business of life summons us away from useless grief, and calls us to the exercise of those virtues of which we are lamenting our deprivation.
So, when kiss Spring comes we'll kiss each kiss other on kiss the kiss lips because tic clocks tock don't make a toctic difference to kisskiss you and to kiss me.
It was a kiss to level mountains and shake stars from the sky. It was a kiss to make angels faint and demons weep...a passionate, demanding, soul-searing kiss that nearly knocked the earth off its axis.
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