A Quote by John Dos Passos

When the typewriter stops in a New York office everybody's embarrassed; men start to quarrel or to make love to the stenographer or drop lighted cigarettes in the wastebasket.
I love filming in New York. I love New York movies, too. I just like it when people can take New York and make it their own, because there are so many different New Yorks.
One of the many reasons I love living in New York is that we get a front row seat to the innumerable thrills that take place here - from conventions and awards shows, to parades and U.N. assemblies. But my favorite New York tradition is the annual New Year's Eve ball-drop on Times Square.
Yeah, I love living in New York, man, and people who live in New York, we wear that fact like a badge right on our sleeve because we know that fact impresses everybody! I was in Vietnam. So what? I live in New York!
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
It's no stretch to picture me standing next to Al Pacino or Robert De Niro. Those are ethnic New York men. I'm an ethnic New York girl. Everybody has their limitations. I mean, I should never be cast as Queen Elizabeth.
I love New York. You want to find out if you're any good? Try New York. Who sang that? Frank Sinatra? If you make it here, you can make it anywhere.
When I sit down at the typewriter, I write. Someone once asked me if I had a fixed routine before I start, like setting up exercises, sharpening pencils, or having a drink of orange juice. I said, "No, the only thing I do before I start writing is to make sure that I'm close enough to the typewriter to reach the keys."
The trouble with New York today is that it's lost its balance. I love the new, greener New York, but it takes all kinds of worlds to make a World.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
The people are different in L.A. There was a time when I lived in New York and that was a bit of a shock, because everybody in New York was so honest, instead of so polite and backstabbing. But you learn to love the backstabbing politeness in L.A.
It's a love-and-hate relationship with New York. Much like Hong Kong, it's expensive, crowded, the weather is not so nice. But New York is home, and I love New York.
I think New York is much more focused on what you're doing. You have to try harder to make sure you have balance in your life. I love New York. It's so exciting. There's so many interesting people here. I just feel like anything can happen. You can make so much happen quickly here. I love it.
My background is advertising: I moved to New York from London in 1998 to start up the U.S. office of ad agency Bartle Bogle Hegarty.
The idea (for the painting 'Room in New York', 1932, ed.) had been in my mind a long time before I painted it. It was suggested by glimpses of lighted interiors seen as I walked along city streets at night, probably near the district where I live (Washington Square, New York, fh) although it's no particular street or house, but is really a synthesis of many impressions.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
This is love, and the trouble with it: it can make you embarrassed. Love is really liking someone a whole lot and not wanting to screw that up. Everybody's chewed over this. This unites us, this part of love.
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