A Quote by John Drinkwater

Great men are rare, poets are rarer, but the great man who is a poet, transfiguring his greatness, is the rarest of all events. — © John Drinkwater
Great men are rare, poets are rarer, but the great man who is a poet, transfiguring his greatness, is the rarest of all events.
Rare almost as great poets, rarer, perhaps, than veritable saints and martyrs; are consummate men of business. A man, to be excellent in this way, requires a great knowledge of character, with that exquisite tact which feels unerringly the right moment when to act. A discreet rapidity must pervade all the movements of his thought and action. He must be singularly free from vanity, and is generally found to be an enthusiast who has the art to conceal his enthusiasm.
Nearly all men and women are poetical, to some extent, but very few can be called poets. There are great poets, small poets, and men and women who make verses. But all are not poets, nor even good versifiers. Poetasters are plentiful, but real poets are rare. Education can not make a poet, though it may polish and develop one.
It is a mistake to imagine that potentially great men are rare. It is the conditions that permit the promise of greatness to be fulfilled that are rare. What is so difficult to achieve is the cultural background that permits potential greatness to be converted into actual greatness.
Great men, great events, great epochs, it has been said, grow as we recede from them; and the rate at which they grow in the estimation of men is in some sort a measure of their greatness.
A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating.
I believe that the first test of a great man is his humility. I don't mean by humility, doubt of his power. But really great men have a curious feeling that the greatness is not of them, but through them. And they see something divine in every other man and are endlessly, foolishly, incredibly merciful.
A great man shows his greatness by the way he treats little men.
The Great slight the men of wit, who have nothing but wit; the men of wit despise the Great, who have nothing but greatness; the good man pities them both, if with greatness or wit they have not virtue.
Kind thoughts are rarer than either kind words or deeds. They imply a great deal of thinking about others. This in itself is rare. But they also imply a great deal of thinking about others without the thoughts being criticisms. This is rarer still.
And inasmuch as the great-souled man deserves most, he must be the best of men; for the better a man is the more he deserves, and he that is best deserves most. Therefore the truly great-souled man must be a good man. Indeed greatness in each of the virtues would seem to go with greatness of soul.
Great men are excellent topics of conversation, but the superior man, the superior men, the masters, the universal spirits on horseback, have to stop and search their memories merely to know who these so-called great men might be. And so the great man is left with the crowd, the worthless majority...for his admirers.
Success is in the student, not in the university; greatness is in the individual, not in the library; power is in the man, not in his crutches. A great man will make opportunities, even out of the commonest and meanest situations. If a man is not superior to his education, is not larger than his crutches or his helps, if he is not greater than the means of his culture, which are but the sign-boards pointing the way to success, he will never reach greatness. Not learning, not culture alone, not helps and opportunities, but personal power and sterling integrity, make a man great.
Man is so great that his greatness appears even in the consciousness of his misery. A tree does not know itself to be miserable. It is true that it is misery indeed to know one's self to be miserable; but then it is greatness also. In this way, all man's miseries go to prove his greatness. They are the miseries of a mighty potentate, of a dethroned monarch.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
A great man represents a great ganglion in the nerves of society, or to vary the figure, a strategic point in the campaign of history, and part of his greatness consists in his being there.
Why do people speak of great men in terms of nationality? Great Germans, great Englishmen? Goethe always protested against being called a German poet. Great men are simply men and are not to be considered from the point of view of nationality, nor should the environment in which they were brought up be taken into account.
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