A Quote by John Dryden

Satire is a kind of poetry in which human vices are reprehended. — © John Dryden
Satire is a kind of poetry in which human vices are reprehended.
SATIRE, n. An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness.
Art and poetry cannot do without one another. Yet the two words are far from being synonymous. By Art I mean the creative or producing, work-making activity of the human mind. By Poetry I mean, not the particular art which consists in writing verses, but a process both more general and more primary: that intercommunication between the inner being of things and the inner being of the human Self which is a kind of divination (as was realized in ancient times; the Latin vates was both a poet and a diviner). Poetry, in this sense, is the secret life of each and all of the arts.
The British ballads became a new kind of form in their hand. And out of them came the blues, a new kind of song of commentary and satire, a song form which, after all, has become the main musical form of the whole human species.
Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation of the necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art.
I think poetry can be a kind of secular way in which people can be led to approach the difficult parts of their life, where there's been loss, where there's sadness of a deep kind. If poetry can help people to be more at ease in expressing even to themselves a lot of the darkness and pain of ordinary human existence, then it's serving some kind of cultural role, perhaps more than a cultural role, perhaps it is serving something of a spiritual role.
It is the business of a comic poet to paint the vices and follies of human kind.
Of all vices take heed of drunkenness; other vices are but fruits of disordered affections--this disorders, nay, banishes reason; other vices but impair the soul--this demolishes her two chief faculties, the understanding and the will; other vices make their own way--this makes way for all vices; he that is a drunkard is qualified for all vice.
The end of satire is the amendment of vices by correction; and he who writes honestly is no more an enemy to the offender than the physician to the patient when he prescribes harsh remedies.
Satire is meant to have teeth; satire is meant to be dangerous. But it also happens to be fun because subversion and telling the right kind of people to go to hell is supposed to feel good.
The highest genius never flowers in satire, but culminates in sympathy with that which is best in human nature, and appeals to it.
The show is a satire, which gives us freedom to do anything we want. Satire is the magic word that wipes away any culpability. The media is jealous of this freedom.
There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity -- like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule -- that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel -- it's vulgar.
Poetry and music are the best at the highest level of the human mind. Out of poetry, out of their need for poetry, human beings have developed the idea of God. And so when we sing, when we dance, when we speak poetry we are speaking out of God's mouth, each other out of the music from God's heart.
The satirist who writes nothing but satire should write but little - or it will seem that his satire springs rather from his own caustic nature than from the sins of the world in which he lives.
There are things which some people never attempt during their whole lives, but one of these is not poetry. Poetry attacks all human beings sooner or later, and, like the measles, is mild or violent according to the age of the sufferer.
Poetry is concerned with using with abusing, with losing with wanting, with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that and doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry.
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