A Quote by John Dyer

I have been surrounded by artists and paintings throughout my life. My father Ted Dyer is an artist, and from a very early age I have spent time painting and drawing. — © John Dyer
I have been surrounded by artists and paintings throughout my life. My father Ted Dyer is an artist, and from a very early age I have spent time painting and drawing.
My father is a well known artist, Ted Dyer, who has been painting for many years. Our work is very different, but growing up surrounded by paintings, paints, easels and art books does have an effect.
Jazz is a constant theme in my life. My father is a jazz pianist, and from an early age I have been surrounded by it.
Very few people have a natural feeling for painting, and so, of course, they naturally think that painting is an expression of the artist's mood. But it rarely is. Very often he may be in greatest despair and be painting his happiest paintings.
I left Brazil very early, at age 18, to go to Japan and I spent three-and-a-half years there. Then I went to Porto, everything happened so fast in my life, there was recognition throughout Europe.
In my paintings, the question on whether figures are similar or not is not of any importance, the slightest change of figure or color can create a new painting and it doesn't really matter if a subject is revisited by an artist repeatedly. With enough time in between paintings, an artist can always bring to it something new.
I spent much of my college life prepping for other careers, but I was always drawing and painting whenever I had free time. Eventually, thanks to the internet, I started noticing that there were such things as art schools, and professional artists, and people making a living doing a variety of types of art.
I think that having been around computers all my life - my father had brought home personal computers at a very early age in the '70s - so being around computers from a very early age perhaps I had even subconsciously seen the exponential progression of what was happening with computers.
From an early age, I had always loved drawing. Laying on the floor, in front of the fire, drawing from my imagination, marching soldiers, dive bombers, spaceships and monsters. Now, suddenly, I was drawing from real life!
What attracted me was less art itself than the artist’s life and all that it meant for me: the idea of creativity and freedom of expression and action. I had been attracted to painting and drawing for a long time, but it was not an irresistible passion; what I wanted, at all costs, was to escape the monotony of life.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
Drawing was a cheap way for me to express myself. It gave a focus to my thinking and my life from a very early age.
I've been drawing my whole life. My mom says my sister and I were drawing by age 1. Animation seems a real, natural extension of drawing as a way of telling a story visually.
I spent a lot of time being creative as a child - painting, drawing and writing poetry.
When I was in high school, I thought I might be an artist. I was very good at drawing and painting.
At art college, I started to do music and then painting and drawing - and that would have been my ideal life, to be an artist and be paid for it, to be able to create stuff. I realized it was difficult, but I don't know if I had the application for it.
Often I had to imagine the things I needed. I learned very early to read amidst noise. And so I started writing and drawing at an early age.
This site uses cookies to ensure you get the best experience. More info...
Got it!