A Quote by John Eaton
I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that.
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Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.
I think, a lot of times, players get in trouble when they're asked questions and they think they have to find a way to answer it. If you ask me a question and I say, 'I don't know,' there's really no follow-up.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
I think plot is very overrated. Plot is obviously necessary, but what I really care about is emotionally affecting the audience. Having a thought myself and then an emotional experience myself, somehow transferring that to the audience.
I think too often in films, people think endings are a summation of plot, and I don't like that. Because once you know where you're going as an audience member, then it's like a video game. You're just waiting for them to get through the levels and beat the bad guy. And I just think that's boring.
I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
I'm looking for trouble. A lot of people get to be a certain age and they just kind of lose interest or they give up. But I'm looking for trouble.
You get in a lot of trouble when you start putting fictitious numbers on value. I think to just say, we're going to say a dollar of cash is worth $2 all of a sudden, it isn't worth $2. It's worth a dollar today. And I think once you start putting phony figures into financial statements, you get in a lot of trouble.
At the end of the day, you just have to focus on winning. No one can take a win away from you. That's what I focused on. Life is not fair, so I don't go out there expecting it to be. I don't think any of us should go out expecting life to be fair. I think that's expecting too much, and I remind myself of that sometimes. You can get on with your life after that.
Obviously, a theatrical masterpiece needs more than a plot; many television shows are nothing but plot, and it is doubtful that they will stand the test of time. But I also don't think that making fun of plot or acting like we're all somehow 'above' structure is such a good idea.
I think a lot of funds get their ideas from Wall Street. I just like to find my own ideas. I read a lot. A lot of news. I just follow my nose. A lot of times it's a dead end, but sometimes there's value there.
It may sound surprising, but a joke and a crime novel work in very much the same way. The comedian/writer leads their audience along the garden path. The audience know what's coming, or at least they think they do until they get hit from a direction they were not expecting.
You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.
A lot of actors, whatever movie you're working on, you make up a back story just for your own, to work off, even if the audience doesn't have it revealed to them. I think it's important that the audience makes up their own mind.
I had played sports all my life, and I thought that was going to be the way. But I saw where the potential in football was going to end. When it comes to decision-making, I just follow my gut at the end of the day. And if I don't, I get in trouble. I wanted to become a filmmaker.
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