A Quote by John Edensor Littlewood

The first lecture of each new year renews for most people a light stage fright. — © John Edensor Littlewood
The first lecture of each new year renews for most people a light stage fright.
The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.
I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.
People say to me, you have not got stage fright. And if I haven't got stage fright, then I'm going to be comfortable within myself, and then something - I've always been that way and so I'm fighting to get away from that fear.
People ask me if I have stage fright. I say, "God, no, I'm completely comfortable there. I have rest-of-the-day fright."
Throughout my career, nervousness and stage-fright have never left me before playing. And each of the thousands of concerts I have played at, I feel as bad as I did the very first time.
And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.
I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
With stand-up you can just be yourself on stage. And ideally, you can't see the crowd most of the time - it's just lights in your face. But I still have had terrible stage fright.
I can't remember if I had any stage fright at the first Bowl. But I did the second time.
Stand-up is not something that you're good at right away. You have to do it a ton. But, I think I got to shave a year off because I didn't have to get over stage fright.
At first, I had such stage fright, and it was always comforting to look over and see my big brother.
Live performance is everything. First of all, I have terrible stage fright. But beyond that, once the music starts, it's OK.
Figure out a way to get back onstage because once you do it a few times you'll get over it. Unless it's like a clinical thing. I don't know about clinical like stage fright, that might be worse than what I'm talking about. But if it's normal stage fright get over it.
Most people tire of a lecture in ten minutes; clever people can do it in five. Sensible people never go to lectures at all. But the people who do go to a lecture and who get tired of it, presently hold it as a sort of grudge against the lecturer personally. In reality his sufferings are worse than theirs.
Each time a new baby is born there is a possibility of reprieve. Each child is a new being, a potential prophet, a new spiritual prince, a new spark of light precipitated into the outer darkness.
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