A Quote by John Edgar Wideman

I'm very hard-nosed and cold-blooded and I can walk past a drowning man. If I have someplace else to go, well, tough s**t. I could do that. I can. Have. Sometimes, not because I was callous but had to do it.
I went to high school in Indianapolis I learned how to walk around looking tough because everybody had to do that. I go out there occasionally and they're still doing it, walking around looking very tough because something might happen.
Definitely I had a lot of times where I was really hard on myself. Really frustrated. But I never felt like I had someplace else to go. Just had to stay here and deal with this.
Heroism doesn't pay very well. I try to be cold-blooded and money-oriented, but I keep screwing it up.
I'm a very practical, pragmatic capitalist. I was trained at Goldman Sachs. I went to Harvard Business School. I was as hard-nosed a capitalist as you get. I specialized in media, in investing in media companies, and it's a very, very tough environment.
One senses that all the Bolsheviks, even those who ended up as cold-blooded autocrats, had been on a journey from idealism to something else, and didn't notice - to mix periods - when the Rubicon was crossed.
Sometimes when I travel from climate to climate, my skin can change very drastically because I go from hot to cold. I get dry like everybody else - from planes.
I just stood there, looking at her. My head was spinning, my mouth dry, and all I could think about was that I wanted to go someplace safe, someplace I could be alone and okay, and that this was impossible. My old life had changed and my new one was still in progress, altering by the second. There was nothing, nothing to depend on. And why was I surprised?
If you found yourself in a situation where you could either save a drowning man, or you could take a Pulitzer prize winning photograph of him drowning, what shutter speed and setting would you use?
The city is always influential in the work, though I've had that temptation to leave, but only recently. It's difficult because whenever I start working someplace else, I'm like, "Man, this would have been better if I had my subwoofer."
The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.
Also it'll be unbelievably cold in there and the thing I'm probably most worried about is my face. That sounds silly but it's very difficult, if you're in cold temperature water, to get your head under because it takes your breath away. And then your hands go numb so you try and wriggle your fingers while swimming to warm up. It's very tough.
Sometimes I'd see my father, walking past my building on his way to another nowhere. I could have given him a key, offered a piece of my floor. A futon. A bed. But I never did. If I let him inside I would become him, the line between us would blur, my own slow-motion car wreck would speed up. The slogan on the side of a moving company truck read TOGETHER WE ARE GOING PLACES--modified by a vandal or a disgruntled employee to read TOGETHER WE ARE GOING DOWN. If I went to the drowning man the drowning man would pull me under. I couldn't be his life raft.
There's a difference between someone who's 'harsh' and someone who is 'hard.' Life was hard. You lived in the South, as my grandparents did, and you had to survive. That is hard. In order to respond to that, he had to become a hard man, with very hard rules, very hard discipline for himself, very hard days, hard work, et cetera.
If I'm walking down the riverbank, and a man is drowning, even if I don't know how to swim very well, I feel this urge that the right thing to do is to try to save that person. Evolution would tell me exactly the opposite: preserve your DNA. Who cares about the guy who's drowning?
We batter this planet as if we had someplace else to go.
Not Waving but Drowning Nobody heard him, the dead man, But still he lay moaning: I was much further out than you thought And not waving but drowning. Poor chap, he always loved larking And now he's dead It must have been too cold for him his heart gave way, They said. Oh, no no no, it was too cold always (Still the dead one lay moaning) I was much too far out all my life And not waving but drowning.
This site uses cookies to ensure you get the best experience. More info...
Got it!