A Quote by John Edgar Wideman

I call people by their initials when they're good buddies, and that's a kinda street thing, too - 'Here comes JF,' or, 'Here comes KC.' It's fun; it's intimate. — © John Edgar Wideman
I call people by their initials when they're good buddies, and that's a kinda street thing, too - 'Here comes JF,' or, 'Here comes KC.' It's fun; it's intimate.
My family calls me Declan. But most people call me E.C. I think it comes from my dad. It's an Irish convention. You usually call the first child by the initials.
Never trust people that like to call things by initials, that's my philosophy.
So, I'm on 'Sesame Street,' walking around with all these monsters, Elmo and his buddies, a whole bunch of chickens, a whole bunch of penguins and a number four dancing about. It was just pure joy, simple, ridiculous fun, stupid joy. There's no irony. 'Sesame Street' is just a crazy great place to be.
So, I'm on Sesame Street, walking around with all these monsters, Elmo and his buddies, a whole bunch of chickens, a whole bunch of penguins and a number four dancing about. It was just pure joy, simple, ridiculous fun, stupid joy. There's no irony. Sesame Street is just a crazy great place to be.
My children haven't read 'Winter Journal'. They have read some of my work, but I really don't foist it on them. I want them to be free to discover it in their own good time. I think reading an intimate memoir by your father - or an intimate autobiographical work, whatever we want to call this thing - you have to come at it at the right moment, so I'm certainly not foisting it upon them.
The important thing is not to be too comfortable when you're writing. Noise in the street? That's good. The computer goes down? That's good. All these things are good. It has to be a little bit of a struggle.
'Beale Street' is such an intimate story that I think it requires intimate connections between the artists that are a part of it.
I got his initials tattooed on the back of my neck, you know, since we both now have the same initials.
Hollywood is a boys' club, and that's something I thought was a stereotype - and it's not. That really shocked me. Still shocks me. Everyone's helping their buddies out and pressing their buddies and playing tennis with their buddies and making movies with their buddies, and that grosses me out.
I entered KC College in 1975. When I came here for my interview, for my admission, every person I spoke to spoke to me in Sindhi. Be it Kundanani, Bhambani, Nichani, Kevalramani... and they also thought that Ambani was the same. For a moment, I thought that I got my admission at KC College because I have a 'ni' in my surname.
The physical environment of L.A. is really beautiful. It's actually kinda fun, too, if you're working. It's just not really fun if you're not working and you don't know anybody.
I was offered a job on Wall Street by my uncle. But I wanted to get out. Make-it-on-my-own kinda thing.
Darkwing Duck and Don Karnage are the most fun to do, because they're both probably the closest to me - I kinda improvise a lot of them, kinda ad lib.
The fact is many of these guys whom I was supposed to be seeing are my buddies. I've always been the bum chum kinda girl.
It's interesting because I laugh and tell people when I give speeches, ' I know what y'all think, oh we love Ed, but he's kinda stuck up or he's kinda this or he's kinda that.'
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
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