A Quote by John Edgar Wideman
I don't make that hard and fast distinction between political and nonpolitical writing. I write about what bothers me.
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There's a difference between writing for a living and writing for life. If you write for a living, you make enormous compromises.... If you write for life, you'll work hard; you'll do what's honest, not what pays
When I first got sick, they told me I had a year to live, and I was writing my memoir really fast. There were really weird things happening with my nervous system and my heart and stuff, and it didn't look like I was gonna make it, so I was writing really fast, and then I couldn't write anymore.
The Israel stories were really hard for me to write, because I think that my book is very much about politics, but it isn't political. It really was important for me to not have a political agenda at all, because I have a hard time stomaching any political fiction that feels message-y.
I figure if people don't want to make the distinction between a Muslim and a terrorist, then why should I make a distinction between good scared white people and racists?
When I see an entire community disenfranchised, it disturbs me. Not that I'm a message guy, per se. I write about people. I like to write about human beings, not crap political rhetoric. I've tried to avoid that all my life. When I wrote about soldiers in Vietnam, I wasn't trying to make a political statement. I was trying to write about how screwed things were for soldiers, and how they still are.
I'm interested in dismantling the distinction between masculine and feminine writing both because I think it's a false distinction and, I think, ultimately an insulting one. It's as insulting to men as it is to women. I'm not sure what masculine writing would look like - I assume some combination of Ernest Hemingway and Raymond Carver. Writing can't be gendered in that way.
I make no distinction between writing and storytelling; I've always wanted to tell stories.
If I had to make a choice between only writing about sports or only writing about music, I would probably write about music. I'm not sure why that is. There seems to be more to write about with music, just because it's more of a splintered thing. There's more subgenres. With sports, it's more objective in a way.
That was, in writing the 'Twilight' script I had about five weeks to write that. I'd taken about a month to write the outline and then it was slam into a script and write it down fast because the writer's strike was looming.
The specific political distinction to which political actions and motives can be reduced is that between friend and enemy.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
To me, writing is about how we see. The writers I want to read teach me how to see-see the world differently. In my writing there is no separation between how I observe the world and how I write the world. We write through our eyes. We write through our body. We write out of what we know.
There are some people who make a big distinction between n - a, which they say is OK, and n - - . Now, in my view, it's important to know about that distinction, because some people put a lot of weight on it. I don't.
I rarely listen to music while writing. If I don't like it, it bothers me, and if I like it, it absorbs me so much I can't write.
I think too many people in Hollywood perhaps fail to make a distinction between the political side of Israel and the notion of the country. And they can be separate things.
We are ... led to a somewhat vague distinction between what we may call "hard" data and "soft" data. This distinction is a matter of degree, and must not be pressed; but if not taken too seriously it may help to make the situation clear. I mean by "hard" data those which resist the solvent influence of critical reflection, and by "soft" data those which, under the operation of this process, become to our minds more or less doubtful.
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