A Quote by John Edgar Wideman

I have written about the women around me. My ancestors, my relatives, lovers. It was a way of trying to make it all make sense. — © John Edgar Wideman
I have written about the women around me. My ancestors, my relatives, lovers. It was a way of trying to make it all make sense.
I'm trying to make sense of lot of things with 'Tyrannosaur.' I'm trying to make sense of people who've left now. They're not here, they can't answer for themselves any more, they're gone. And I'm trying to make peace with those ghosts.
Nothing uniquely bad has happened to me in my personal life, but all the regular little bad things have accumulated to make me a neurotic person. And these adventures are my way of trying to make sense of that.
Men realize that they have work to do, to pull up women and take ownership on where we are as a society, and that they have work to do to help their female relatives and friends - to give a voice to women, not in a patriarchal way, but in a supportive way. It is all of our jobs to make sure that women's rights are human rights, and that they do have a place at the table, and we all push toward equality.
Women's tennis has been around for a very long time - we're talking about the 1800s. But women's soccer hasn't had such a long history, so now they're right at the beginning of really trying to make things equal. We need to continue not only to advocate for women but to have men advocating for women.
Imaginative writing, to me, is a way of discovering who we are and what we have to contend with; discovering what is out there and also what is not there. It enables me to think and explore and make something new with language while trying to make sense of our lives.
I'm using myself as a typical 20th century model as I'm trying to make sense out of the world around me.
The idea of making [conceptual] art was not a good way to approach things... Instead I saw myself as trying to make something that my relatives could understand.
My task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see.
One of the things I like best about 'Biggest Loser' is being around people who are trying to make the right choices. When you feel defeated about your weight and your health, like there's no hope, and you still make the choice to fight for it, to make the change happen no matter what people say or think, that's inspiring to me.
I know there are certain men that hate women or don't like women, and in order to make women feel small, they tend to isolate them when they bully them. And women are often humiliated by it and feel they can't do anything about it. So my advice to women would be: there's always support around for those sorts of things and if you feel you're isolated in any way, or being bullied, you must talk to someone about it.
I'm not moving from an ideological standpoint. Sometimes I'm trying to make my life better. Sometimes I'm trying to make my life worse! I'm trying to find a happy medium that I can make some sense of.
The way we make sense of a realistic text is through the same broad ideological frame as the way we make sense of our social experience or rather, the way we are made sense of by the discourses of our culture.
I'm a logic monster, if things don't make sense I've gotta make sense of them. I enjoy helping to develop material for movies, it's a way for me to get into the part.
This world is filled with things that will never make sense. Trying to make so much sense of them will only result in one thing: Spending the rest of your life trying to remember what you were like before any of it mattered.
I have a song called "Men." I mean, manhood and trying to be one, and failing as one, and trying to be a husband and a father, and failing at that. I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.
Well, you're either lovers or you're wanting to be lovers or you're trying not to be lovers so you can be friends, but any way you look at it, sex is always looming in the picture like a shadow, like an undertow.
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