A Quote by John Elder Robison

And my experience in the music scene had shown me that there were places for places in the world where misfits were welcome. — © John Elder Robison
And my experience in the music scene had shown me that there were places for places in the world where misfits were welcome.
In other words, it is what I do in the world that matters. When I traveled for three months in the Mideast, the places I wanted to go back to were Turkey and the Gaza Strip. It has to do with what Gandhi said: he found God in the eyes of the poor. Those are the places which were so moving that they were just unbearable.
Plants were bound for good or ill to their places. They expressed not only beauty but also the thoughts of God's world, with an intent of their own and without deviation. Trees in particular were mysterious and seemed to me direct embodiments of the incomprehensible meaning of life. For that reason, the woods were the places where I felt closest to its deepest meaning and to its awe-inspiring workings.
I claimed identity as Jewish musicians for political reasons, because most of us were touring in Germany and, at this time, twelve years ago, there was a strong resurgence of Nazism in the places we were touring and part of that was on the music scene.
When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed - for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you.
I remember Geauga Lake. I remember Six Flags. I remember going to the mall. I hung out there. These big, grand places that served as pinnacles of the community were not only institutions or places of commerce. They were communal spaces where a lot of people went and shared good memories. These are very nostalgic places.
Unseen University was much bigger on the inside. Thousands of years as the leading establishment of practical magic in a world where dimensions were largely a matter of chance in any case had left it bulging in places where it shouldn't have places. There were rooms containing rooms which, if you entered them, turned out to contain the room you'd started with, which can be a problem if you are in a conga line.
Real life this fdar had taught me that in the adult world, fate was chaotic and uncertain. Guidelines for success were arbitrary. But in the world of D&D, at least there was a rule book... By role-playing, we were in control, and our characters... wandered through places of danger, their destinies, ostensibly, within our grasp.
There are places in the world where it's easier than in the US to be a person who produces theory and not require the university for sustenance. And there are still places in the world where there is lively poetry communities largely divorced from academia. That's been destroyed in the US. In the US, famously, there were a lot of counter-spaces that lasted into the 60s and 70s, like the Black Arts Movement. They were systematically broken, often by the government, and the workshop arose in their place.
There were many words that you could not stand to hear and finally only the names of places had dignity. Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything. Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates.
'Britain's Got Talent' just gave me that platform that I needed to share that with the world and be recognized, and now I'm able to travel the world and sing my music in places I never thought I'd visit - Dubai, Mexico, Brazil, so many different places.
I mean Georgia, and also Belfast, aren't the most stable places, politically, in the world. But the thing is, in both places, the people were just so kind and so warm and in Belfast so welcoming.
Work in nightclubs was interesting. There were interesting people and places, but by and large, the commercial music experience.
Believe it or not, there are places in the world where music is important. There are places in the world where all the arts are a matter of national pride.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
All my life I have had an awareness of other times and places. I have been aware of other persons in me. Oh, and trust me, so have you, my reader that is to be. Read back into your childhood, and this sense of awareness I speak of will be remembered as an experience of childhood. You were then not fixed, not crystallized. You were plastic, a soul in flux, a consciousness and an identity in the process of forming--ay, of forming and forgetting.
When I was in the restaurant and bar business, I followed a rule, which was that the places that I opened were places that I wanted to go to.
This site uses cookies to ensure you get the best experience. More info...
Got it!