A Quote by John Eliot

All the great performers I have worked with are fueled by a personal dream. — © John Eliot
All the great performers I have worked with are fueled by a personal dream.
I've worked with genius performers. Sometimes they created great work with a bad script... but not often. Play it safe: write well.
I've seen so much. And I've heard so many great performers. There are performers now that couldn't work back in the days when I came along.
I've worked over four dozen nine-to-five jobs before taking the chance to chase my dream of wanting to become an actor and filmmaker. Growing up in Brooklyn and Harlem, working at jobs like the bus company were great. I had benefits, a great salary, and security. But it wasn't my dream.
I think any workplace relationship is dangerous. That's been my personal experience. They haven't always worked out the best. But I know other people for whom it worked out great.
The difference between the top performers and the average or mediocre performers is not a great, massive difference. It is just a tiny difference because the top performers do things just a tiny bit.
Sammy Davis, I backed him up. I used to study him every night. I saw how great performers worked and was able to incorporate a little bit from the best.
I grew up, in my childhood, with some of the greatest women performers, on stage and on screen, and even my family - my mother and my sisters. So I was very busy watching women, as a child! I have a lot of memories of great women performers
I'm separated by other performers with whom I might be lumped, since what I say is so intensely personal. I'm anti-art and anti-poetry. As much as possible, I want to inflict my personal pain on the rest of society.
I worked in an office. I was like an assistant. So, I would just answer phone calls, coordinate events. It was a great day job. I worked with amazing people, but obviously, whenever you are doing something that's not your dream, you kind of feel like, 'Oh, I'm on this grind.'
When you're dreaming, you don't know it's a dream. You might even interpret a dream in your dream - and then wake up and realize it was all a dream. Perhaps a great awakening will reveal this to be a dream as well.
Not much happens without a dream. And for something great to happen, there must be a great dream. Behind every great achievement is a dreamer of great dreams. Much more than a dreamer is required to bring it to reality; but the dream must be there first.
True change is a long game, and it remains to be seen if this is change. We've had years before where there have been great years for filmmakers and performers of color, LGBTQ filmmakers and performers, women.
During our dreams we do not know we are dreaming. We may even dream of interpreting a dream. Only on waking do we know it was a dream. Only after the great awakening will we realize that this is the great dream.
Focus on a specific intention... A goal is often fueled by fear... An intention is fueled by a sense of purpose.
To read 'Happy Talk' is to crash a party as vivid and surreal as Felini's 8. It's the business of show business, the American dream, told by a chorus of Americans locked just outside of that dream, outside of the United States, relegated to expatriate status on the shores of Haiti. Melo paints a version of Haiti that's an interior landscape perhaps even more than an externalized place. This Haiti is a plan, a memory, a morphine-drip fueled dream out to bond its inhabitants forever.
The winner of the hoop race will be the first to realize her dream, not society's dream, her own personal dream.
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