The lesson I have learnt is that when a family and a business function, they function together. You have to have a family that works and a business that works and the two will end up working well alongside.
Growing up in a very big family, working together and playing together, that is something that has been part of my life since ever I was born. It has advantages and disadvantages. It's like an older style of living where everyone works in the family business.
Usually people in the acting business end up both in front of and behind the camera. Working for so long in the business, I know how it works. It's not too much of a challenge; the challenge is making it all come together, being in charge of a huge team of people that you trust.
My family was in two businesses - they were in the textile business, and they were in the candy business. The conversations around the dinner table were all about the factory floor and how many machines were running and what was happening in the business. I grew up very engaged in manufacturing and as part of a family business.
The family that prays together stays together, and if they stay together they will love one another as God has loved each one of them. And works of love are always works of peace.
I was not very keen on joining the family business... there were 14 family members working together, and it worried me that I would not have enough individuality.
Anybody who has been in a relationship, raised a family, worked in business or been a systems analyst, you have to look at how the whole system works together. You have to find those opportunities to collaborate.
In a family business, you grow up with close contact to the business, whatever it is, and the beer business is certainly a very social type of business.
When I was a young actor, I just didn’t understand how to function in this business as an artist. It is a business, it’s called the film business for a reason, there’s money involved ... But on the flip side, now I do not let the business side of it rule either. It’s a balance.
The function of criticism is the reeducation of perception of works of art? The conception that its business is to appraise, to judge in the legal and moral sense, arrests the perception of those who are influenced by the criticism that assumes this task.
My strength has always been my family and my friends who are like family. The business can chew you up and spit you out and if you don't have some calm in the storm, it's a very lonely journey. My family and friends love me whether I'm working or not and that makes all the difference.
Growing up in a business-orientated family meant that I naturally learnt the tricks of the trade.
This is the hardest thing I've ever done, being in fashion business, because that's what it is at the end of the day, a business, and you have to make sure it works.
For just as for a flute-player, a sculptor, or an artist, and, in general, for all things that have a function or activity, the good and the well is thought to reside in the function, so would it seem to be for man, if he has a function.
I grew up in the countryside with the factory here, my house 200 metres away, my grandma's house 50 metres away, in a kind of old-style Italian society where everyone works for the family business, everyone lives nearby, and the people you spend your time with are your family.
It's far more difficult being a small-business owner starting a business than it is for me with thousands of people working for us and 400 companies. Building a business from scratch is 24 hours, 7 days a week, divorces, it's difficult to hold your family life together, it's bloody hard work and only one word really matters - and that's surviving.
The demands of our reality function require that we adapt to reality, that we constitute ourselves as a reality and that we manufacture works which are realities. But doesn't reverie, by its very essence, liberate us from the reality function? From the moment it is considered in all its simplicity, it is perfectly evident that reverie bears witness to a normal useful irreality function which keeps the human psyche on the fringe of all the brutality of a hostile and foreign non-self.